The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s6.32
The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s6.32
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c20.s6.32
The case of figures, whether of sound or sense, is somewhat similarly handled; the figures are compared with the ornaments which, placed on a man's body, and through this union with him, gratify the soul; the figures adorn words and meanings which are parts of poetry by their union with them, and thus serve to heighten the sentiment, provided one exists. If there is no sentiment, through the defective ability of the poet, then the figures serve merely to lend variety to the composition, and even when sentiment exists the figures may fail to be appropriate to it. Both figures and qualities thus are in a very intimate relation with the sentiment, but that does not mean that the two are identical.