The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s6.41
The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s6.41
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c20.s6.41
Elaborate rules for the use of language⁴ by the characters are given in the *Nāṭyaçāstra* and, in much less detail, by the *Daçarūpa*. The use of Sanskrit is proper in the case of kings, Brahmins, generals, ministers, and learned persons generally; the chief queen is assigned it, and so also ministers' daughters, but this rule is not in practice observed. On the other hand, it is used by Buddhist nuns, hetaerae, artistes, and others on occasion. It is a rule that in the description of battles, peace negotiations, and omens Sanskrit shall be resorted to, and this is done by Bṛhannalā in Bhāsa’s *Pañcarātra*. The use of Sanskrit by allegorical female types is also found both early and late.
Cites (3)
- Nāṭyaśāstra — Bharata, Sanskrit
- Daśarūpaka — Dhanañjaya (Daśarūpaka), Sanskrit
- Pañcarātra — Bhāsa, Sanskrit