The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s7.2
The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s7.2
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c20.s7.2
¹ xviii. 117-29; DR. iii. 47 f.; SD. 504-9. On gesture see the *Abhinayadarpaṇa* of Nandikeçvara, trs. Cambridge, Mass., 1917. R. iii. 236-48 gives other details of the Lāsya from the *Çṛṅgāramañjarī*; dialect is allowed in the Saindhava. He follows N. in having Trimūḍhaka as expressing male emotions in smooth words, and has Dvimūḍhaka.
Cites (2)
- Abhinayadarpaṇa — Nandikeśvara, Sanskrit
- Śṛṅgāramañjari — Tāḷḷapāka Annamācārya, Telugu