The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s8.12
The Sanskrit Drama in its Origin, Development, Theory & Practice c20.s8.12
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c20.s8.12
Çivarāma’s comm. on *Nāgānanda*, i. 1 shows that great doubt then existed both as to the preliminaries (p. 2), and the Sūtradhāra, Sūcaka, or Sthāpaka (pp. 6, 7). Cf. p. 273.
Cites (1)
- Nāgānanda — Harṣavardhana, Sanskrit