The Sanskrit Drama in its Origin, Development, Theory & Practice c22.12
The Sanskrit Drama in its Origin, Development, Theory & Practice c22.12
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c22.12
² The Greek number was three, later five. The Chinese stage, which resembles the Indian in its primitive character, but has no curtain, has two doors, one for entry, one for exit; Ridgeway, Dramas, &c., pp. 274 f.