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The Sanskrit Drama in its Origin, Development, Theory & Practice c22.s2.5

The Sanskrit Drama in its Origin, Development, Theory & Practice c22.s2.5

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c22.s2.5

The dress¹ of the actors is carefully regulated, especially as regards colour, which evidently was regarded as an important item in matters of sentiment. Ascetics wear garments of rags or bark; those in charge in the harem red jackets, kings gay garments or, if there are portents described, garments without colour. Ābhīra maidens wear dark blue clothes; in other cases dirty or uncoloured garments are prescribed. Dirty clothes indicate madness, distraction, misery, or a journey; uncoloured garb, one engaged in worship or some solemn religious service, an interesting survival of antique custom, while gods, Dānavas, Gandharvas, Uragas, Yakṣas, and Rakṣases, as well as lovers and kings, normally wear gay clothing.