The Sanskrit Drama in its Origin, Development, Theory & Practice c22.s3.3
The Sanskrit Drama in its Origin, Development, Theory & Practice c22.s3.3
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c22.s3.3
The rules for placing the patron at whose bidding the drama is performed, Sabhāpati, and his guests, are elaborate.¹ He sits himself on the Lion Throne, the equivalent of the royal box, with the ladies of his harem on the left, and on the right the personages of highest importance, such as the vassal princes of a great king like Harṣa. Behind the latter are the treasurer and other officers, and near them the learned men of the court, civil and religious, including the poets, and in their midst the astrologers and physicians. On the left again are the ministers and other courtiers; all around are maidens of the court. In front again of the king are Brahmins, behind the bearers of fans, radiant in youthful beauty. On the left in front are the reciters and panegyrists, eloquent and wise. Guards are present to protect the sacred person of the sovereign.