The Sanskrit Drama in its Origin, Development, Theory & Practice c23.10

c23.10

Dhānaṃjaya, in a Buddhist drama, 84. Dhaneçvara, father of Jyotiṛçvara, 261. Dhanika, writer on poetics, 220, 223, 271, 293, 350, 366. Dhanika Paṇḍita, 293. Dhārāvarṣa, prince of Candrāvatī, 247, 265. Dhāriṇī, a queen, 148, 149, 155, 159, 163, 165. Dhāvaka, misreading for Bhāsa, 171. Dhirasiṃha, father of Jyotiṛçvara, 261. Dhīreçvara, family, 261. Dialogue (saṃlāpa), 327. Dialogues of the Veda, alleged dramatic character of the, 13-23. Digambara Jainism, 252. Diggers of underground passages, speech of (cf. JRAS. 1923, p. 591), 88, 336. Dignāga, alleged enemy of Kālidāsa, 145. Dionysos, Greek god, 66. Dionysos, Indian, i.e. Çiva, 42, n. 1. Dionysos Melanaigis, 38. Discrimination, as a character, 251, 252, 254, 255. Disguise, of girl as boy, as motif, 234, 235. Disguise, assumed on the stage, 303. Disgust (jugupsā), as the basis of the sentiment of horror, 323. Dithyramb, and drama, 39. Division into acts, 60, 61. Division of sentiment, not allowed in the drama, 278, 279. Doors of the stage, number of, 360. Double consonant, with short vowel, in place of single consonant and long vowel, 121. Double entendre, 304. Dṛḍhavarman, uncle of Vāsavadattā, 173, 174, 360. Dhṛṣṭadyumna, slays Droṇa, 213. Dhṛtarāṣṭra, a king, 96, 106, 117, 214, 216, 218. Double letters, produce strength of style, 332. Dramatic elements in Vedic ritual, 23-7. Dramilas, speech of, 337, n. 1, and see Draviḍas. Draupadī, wife of the Pāṇḍavas, 63, 97, 212, 213, 214, 218, 233, 265, 266, 270. Draviḍas, speech of, 336, 337; colour of, 366. Dream, as motif, 303; truthful in early hours of morning, 234. Dress of actors, 366. Drinking, as an allegorical character, 255. Droṇa, preceptor of the Kauravas, 97, 213. Drop, or expansion (bindu), as an element of the plot, 298.