The Sanskrit Drama in its Origin, Development, Theory & Practice c23.16

c23.16

Gazelle, magic, in the Rāma legend, 221. Gedrosians, knew Greek drama, 59. Geldner, Prof. K., theory of dialogue hymns in Veda, 22, 23. General (senāpati), exalted hero, 306, 312. Gentleness, as an allegorical character, 254. Germ (bīja), as an element of the plot, 298. Gesture, 279, 338, n. 1, 364, 365, 367. Ghanaśyāma, author of the Ananda-mañjarī, 257. Ghaṭikācaṭa, see Kṛṣṇa. Ghaṭotkaca, son of Bhīma and Hiḍimbā, 95, 106, 109, 111, 213. Gobaṃ°, a character, 85; Prākṛit used by, 86, 87. Godāvarī, river goddess, as a character, 245. Gods, as heroes of the Dima, 347; in the Samavakāra, 346; dress of, 366; characteristics of, 260. Goethe, views of, on Kālidāsa, 160, 280. Goha, in the Mṛcchakaṭikā, 136. Gokulanātha, author of the Amṛtodaya, 253, n. 3, 343. Good Conduct, as an allegorical character, 254. Gopāla, father of Āryaka, 129. Gopāla, patron of Kṛṣṇamiçra, 251. Gopīnātha Cakravartin, author of the Kautukasarvasva, 262. Gopīs, cowherdesses, loved by Kṛṣṇa, 40, 274. Gori Īsapa, a Mahomedan, 250. Graceful (kaiçikī) manner, 326, 327, 346, 347, 349, 350. Graces, of the heroine, 310. Grammarians, evidence of, as to drama, 31-6. Grammatical, peculiarities, in Sanskrit, 85, 86; in Prākṛit, 86-9, 121, 122. Grandeur, 195, 196. Great Dionysia, plays produced at, 66. Greece, absence in the main of female dramatists, 288. Greek astrology, known to Kālidāsa, 146. Greek drama, compared with Indian, 276, 277, 279, n. 2, 280, 281, 311; origin of, 37-39; stage for, 360. Greek influence on the Sanskrit drama, 57-68, 355, 356. Guards, present in the auditorium, 370. Guha, a forest chief, 228. Guha, son of Çiva, 170. Guhasena, of Valabhī, 275. Guhyakas, propitiated in the preliminaries, 339, n. 3. Guildsmen, or rich merchants (çreṣṭhin), language of, 87, 141, 336.