The Sanskrit Drama in its Origin, Development, Theory & Practice c23.3

c23.3

Apsarases, divine nymphs, 17, 40, 48, 96, 100, 112, 114, 265, 303, 339, n. 3, 352, 367. Āraṇyakā or Āraṇyikā, heroine of the Priyadarçikā, 173, 174, 176, 362. Arhants, views of, on the path of salvation, 183. Ariṣṭa, a demon killed by Kṛṣṇa, 99, 106. Arisiṅha, author of the Sukṛtasaṃkīrtana, 248, n. 7. Aristotle, 39, 64, 279, n. 1, 287, 337, n. 2, 354, n. 1, 355. Arjuna, a demon, 99. Arjuna, a Pāṇḍava, 48, 96, 97, 213, 214, 215, 218, 265, 266, 268, 320, 329. Arjunavarman, Paramāra of Dhārā (A. D. 1211), 256. Arrian, notes Indian love for song and dance, 44, n. 2. Ars Amoris, of Ovid, 285. Arsenic, used for pigments, 369. Art of Bhāsa, 105-10; Mṛcchakaṭikā, 134; Kālidāsa, 155-60; Harṣa, 175-7; Mahendravikramavarman, 182, 183; Bhavabhūti, 192-6; Viçākhadatta, 208, 209; Bhaṭṭa Nārāyaṇ, 214, 215; Yaçovarman, 222, 223; Murāri, 229, 230; Rājaçekhara, 235, 236; Jayadeva, 246; Kṛṣnamiçra, 253. Arundhati, in the Uttararāmacarita, 192. Āryabhaṭa, astronomer (A.D. 499), 146. Āryaka, in the Mṛcchakaṭikā, 64, 129, 130, 132, 133, 135. Aryan, conquers Çūdra, in the Mahāvrata ritual, 24. Açokadatta, and the Rākṣasas, 193, n. 2. Açokan dialect, compared with that of Açvaghoṣa, 86, 87. Açvaghoṣa, dramatist, 43, 58, 70, 72, 74, 77, 80-90, 93, 94, 95, 158, 161, 251, 292, 311, 336. Açvajit and Çāriputra, 81. Asajjāti, a comic Brahmin, 261. Ascetics, how addressed, 314; appropriate to a Prahasana, 348. Asides, 304. Aspirates, reduced in Bhāsa, but not in Açvaghoṣa, to h, 121. Astonishment (vismaya), as the basis of the sentiment of wonder, 323. Astrologers, where placed in the auditorium, 370. Asura Maya, magic craftsman, 52. Asuras, demons, 41, 267. Atharvan, dialogue of, 15. Ātreya, the Vidūṣaka of Jīmūtavāhana, 177. Ātreyi, an ascetic, 191. Audience, 369-71, and see Spectators. Auditorium, 359, 370.