The Sanskrit Drama in its Origin, Development, Theory & Practice c23.32

c23.32

Mārkaṇḍeya, Prākrit grammarian, 336. Marriage, celebrated by painting scene of it, 102, 203. Māruta, hero of the Mallikāmāruta, 257, 258. Maruts and Indra, dialogue of, 14, 19, 20. Mārwār, use of Apabhraṃśa in, 287. Masks, possible use of, 365, n. 1. Mātali, charioteer of Indra, 154, 157, 160, 303, 325. Mataṅga, enemy of Jīmūtavāhana, 178. Māthura, in the Mṛcchakaṭikā, 135. Mathurā, as home of drama, 41, 70, 74. Mathurādāsa, author of the Vṛṣabhānuja, 257. Mātṛgupta, a poet, 291, n. 2, 232, 315, n. 1, 360. Mātrarāja, see Aṅgaṅgaharṣa. Matrona, of Greco-Roman drama, 65. Mattavilāsa, epithet of Mahendravikramavarman, 182. Matters unfit for stage representation, 300, 301. Maudgalyāyana, a disciple of the Buddha, 81, 84. Maukhari king, Avantivarman, 204. Max Müller, theory of origin of the drama, 15. May-day merriment, in England, 41. Māyurāja, author of Udāttarāghava, 221, 223, 297. Māyurāja, variant of Māyurāja, 221, n. 1. Megasthenes, refers to the Kordax, 42, n. 1. Meghanāda, son of Rāvaṇa, 190, 229, 246. Meghaprabhācārya, dramatist, 55, 269. Mekhalā, a maidservant, 235. Melanthos, legend of, 37, 38. Men, play women's parts, 36, 362. Menakā, mother of Çakuntalā, 152. Menander, comedy of, 60. Menander, king, conquests of, 59, 60. Mercenary soldiers, reflected in figure of Çakāra, 66. Merchants, or guildsmen, speech of, 87, 141, 336; form of names, 313; as heroes of the Prakaraṇa, 346; the Prakaraṇikā, 348. Meru, Mahārāṇa of Raypur, 270. Message, as dramatic device, 303. Messenger, of hero, 311, 312; of heroine, 313. Metre, influence of lyrics on, 77; of Açvaghoṣa, 89, 90; Bhāsa, 123, 124; Mṛcchakaṭikā, 142; Kālidāsa, 167, 168; Harṣa, 181; Mahendravikramavarman, 185; Bhavabhūti, 203; Viçākhadatta, 212; Bhaṭṭa Nārāyaṇ, 219; Rājaçekhara, 234, 236, 238; Kṣemiçvara, 240; Jayadeva, 246; Kṛṣṇamiçra, 253; Uddaṇḍin, 258; use of, in accord with sentiments, 331; in the Samavakāra, 346. Mewār, defeat of Jayatala of, by the Mahomedans, 249, 250. Middle, for active, in Bhāsa, 120. Midsummer Night's Dream, Sanskrit version of, 251. Milacchrīkāra, a Mahomedan, 250. Mildness (mṛdava), 329. Miles gloriosus, of Greco-Roman drama, 65; Rāvaṇa as a, 105. Military spectacle, see Vyāyoga. Mīmānsā view of sentiment, 316. Mime, Greek, alleged influence of, on Indian drama, 67, 68. Mimes, in India, 49, 57. Mimesis, Aristotelian doctrine of, 355. Mimetic art, 12, 296. Mind, movements of, as related to the sentiments, 320. Minister, appropriate hero for a Prakaraṇa, 306, 346; how addressed, 314; where placed in the auditorium, 370. Mirror of knowledge, an allegorical character, 254. Mirth (hāsa), as the basis of the comic sentiment, 323. Mise-en-scène, 364-9. Mitrāṇanda, hero of the Kaumudīmitrānanda, 258, 259. Mitāvasu, prince of the Siddhas, 174, 175, 178. Miyāṇalladevī, a princess, 256. Mlecchas, 249, 312. Mohanadāsa, commentator on the Mahānāṭaka, 270. Mōkos, compared with Viḍūṣaka, 67. Mokṣāditya, author of the Bhīmavikramavyāyoga, 266. Monkey, escape of, as a dramatic motif, 175. Monmohan Chakravarti, on date of Kālidāsa, 144. Monologue, see Bhāṇa. Moon of Discrimination, an allegorical character, 254. Mṛgāṅkalekhā, a hetaera, 262. Mṛgāṅkāvalī, a princess, 234, 235. Mṛgarājalakṣman, 212. Mudgala hymn (RV. x. 102), 18. Muhammad II, of Gujarāt, 251. Muktāpīḍa Lalitāditya, of Kashmir, defeats Yaçovarman of Kanyakubja, 186. Mūlanāçaka, a barber, 261. Munisuvrata, temple of, 248. Muñja (A.D. 974-95), a king, of Dhārā, 292, 293. Muralā, a river, 191. Murāri, author of the Anargharāghava, 225-31, 242, 244, 259, 271, 352.