The Sanskrit Drama in its Origin, Development, Theory & Practice c23.34

c23.34

Nāgas, pair of kings, 43; destroyed by Garuḍa, 174, 175, 179. Nāgīs, how shown on the stage, 367. Nahapāna, a Western Kṣatrapa, 69. Naiyāyika view of sentiment, 316. Nakhakuṭṭa, a theorist, 341. Nakula, a Pāṇḍava, 214. Nala and Damayantī, 63, 240. Nalakūbara, 49 Nallā Kavi, author of the Ṣṛṅgārasarvasva, 263, 264. Names of the Acts of a drama, 305; the drama, 345, 346; the characters, 85, 313, 355. Nanda, the cowherd, 98. Nandana, in the Mālatīmādhava, 188, 193. Nandas, a dynasty, 205. Nandikeçvara, Abhinayadarpaṇa by, 338, 367, n. 1. Nārada, a sage, 48, 98, 100, 101, 110, 126, 151. Narasiṃha, of Vijayanagara, 261. Narasiṃha II, of Orissa, 293. Narasiṃha, author of the Ṣivanārāyaṇabhañjamahodaya, 257. Nārāyaṇa, father of Kāñcana Paṇḍita, 266. Nārāyaṇa, 97, 98, and see Kṛṣṇa and Viṣṇu. Narendravardhana, father of Anaṅgaharṣa Mātrarāja, 220. Narration, in lieu of action dialogue, 194. Narrative verses, 270, 271, 273, 351. Nature, described in the drama, Mṛcchakaṭikā, 138, 139; Kālidāsa, 159; Bhavabhūti, 195. Navamālikā, in the Nāgānanda, 177. Nema Bhārgava, a seer, 14. Neuter plural of a-nouns, in Aṣvaghoṣa's and Bhāsa's Prākṛt, 87, 122. Neuter rôles, 313. New Comedy, alleged influence on Indian drama, 60-7. Nicula, alleged friend of Kālidāsa, 145. Nīlakaṇṭha, alters the last scene of the Mṛcchakaṭikā, 135, 369, n. 2. Nīlakaṇṭha, on the shadow play, 55, 56. Nipuṇaka, in the Mudrārākṣasa, 205, 208; in the Hammīramadamardana, 249. Nipuṇikā, 328. Nirbhaya, or Nirbhara, pupil of Rājacekhara, 232. Noble, hero as always, 305.