The Sanskrit Drama in its Origin, Development, Theory & Practice c23.37

c23.37

Padmacandra, father of Yaçaçcandra, 260. Padmagupta, cited by Dhanika, 293. Padmāvatī, a heroine, 103, 107, 113, 125, 220. Padmāvatī, place, 186. Pahlavas, colour of, 366. Painting, of actors' faces, 37, 366. Pālaka, king of Ujjayinī, 129, 133. Palatal sibilants, produce strength of style, 332. Pāli, 87, 89. Pañcāla, music of speech of, 287. Pāñcāla style, 332, 335. Pāñcālas, colour of, 366. Pāṇḍavas, 95, 96, 97, 266, 270. Panegyrists, where placed in the auditorium, 370. Pāṇini, the drama in, 31; his position in grammatical literature, 290. Paṇis and Saramā, dialogue of, 14, 19, 21. Pantomime, 58, 258, 275, 351, and see Naṭa. Pāpācāra, a bad king, 263. Paramardideva, of Kālañjara, 265. Paraçurāma, 96, 189, 194, 228, 233, 245, 271, 302, 319, 323, 327 Parasite, in Greco-Roman drama, 65; in Indian drama, see Viṭa. Pariyātra, use of Bhūtabhāṣā in, 287. Paronomasia, 238. Pārçva, a Tīrthakara, 254. Parthians, invaders of India, 60, and see Pahlava. Partnership, of actor and singer, 363. Parvateça, a king, 205 f.