The Sanskrit Drama in its Origin, Development, Theory & Practice c23.49

c23.49

Sampāti, 189, 194. Samsthāna, in the Cārudatta, 104. Samsthānaka, in the Mṛcchakaṭikā, 131, 132, 133, 134, 136, 140. Samtuṣṭa, a Viḍūṣaka, 313. Samudragupta, Gupta Emperor, horse sacrifice of, 149. Sāñchi, Kathakas on relief at, 30. Sañjaya, in the Veṇīsaṃhāra, 214, 217. Sanskrit, Ṣakas and, 69-72; of Aṣvaghoṣa, 85, 86; Kālidāsa, 166; Harṣa, 181; Kṛṣnamiçra, 243, 244; Yaçaḥpāla, 255; and Prākṛit, 243, 244, 255, 273, 282, 283, 287, 333, 335, 336. Saramā and the Paṇis, legend of, 14, 19, 21. Sāraṇa, a spy, 229. Sārasvata school of grammarians, 145, n. 2. Sarayū, river, 245. Sātavāhana, 129, 333, and see Hāla. Satyabhāmā, in the Kṛṣṇa legend, 48. Satyācāra, a Brahmin, 262. Saudāminī, pupil of Kāmandakī, 62, 188, 193. Saumilla, Somila, a dramatist, 91, 127, 129, 147. Sauvīra, king, 101, 102. Sāyaṇa, commentator on the Ṛgveda, 15, 268. Scenes of introduction (arthopakṣepaka), 301, 302. Schroeder, Prof. L. von, theory of origins of drama, 16-21. Secular origin of the drama, 49-57. Self-sacrifice in Harṣa, 177, 278; in Bhavabhūti, 195. Senex, of Greco-Roman comedy, 65. Sense, figures of (arthālaṃkāra), 331. Sentiment, produced by drama, 12, 296, 314-26, 334, 335, 366, 368; in relation to types of drama, 346-51; in connexion with the qualities of style, 332; blending of, 169. Servants (ceṭa), speech of, 87, 141, 336; kind of names of, 313. Servus currens, of Greco-Roman drama, 65. Seven vices, banished, 255. Shadow plays, and dramatic origins, 53-7; 269, 270, 351. Shakespeare of India, Kālidāsa as, 160. Shameless, hero, 307. Shamsu-d-din, probable original of Hammīra, 249, n. 1. Shaw, Bernard, stage directions in plays of, 366. Sibilants, treatment of, in Aṣvaghoṣa, 86, 87, 88; in Bhāsa, 122; in Bhaṭṭa Nārāyaṇa, 219.