The Sanskrit Drama in its Origin, Development, Theory & Practice c24.1

c24.1

*Agni Purāṇa*, 295, 349. *Aṅka*, act, 301. *Aṅka*, one act play, 268, 295, 296, 347, 348. *Aṅkamukha*, anticipatory scene, 302. *Aṅkāvatāra*, continuation scene, 302. *Ajjukā*, style of a hetaera, 314. *Atijagatī*, metre, appropriate to lively dialogue, 331. *Atidhṛti*, metre, appropriate to the pathetic sentiment, 331. *Atibala*, outvying, 329. *Attāṇaṃ*, in Bhāsa for *attāṇaṃ*, 122. *Atharvaveda*, 12, 15. *Adaṇḍāraho*, in Aṣvaghoṣa, 88. *Adbhuta*, wonder, as a sentiment, 324. *Adbhutaḍarpaṇa*, by Mahādeva, 246, 247. *Adbhutarṇava*, by Kavibhūṣaṇa, 345. *Adhikāra*, attainment of hero's purpose, 297. *Adhibala*, outvying, 329. *Anargharāghava* by Murāri, 226-31, 344, n. 1, 362. *Anukūla*, loyal (hero), 307. *Anukṛti*, mimesis, 355, and see *Avasthānukṛti*. *Anucārikā*, king's attendant, 312. *Anubhāvas*, consequents of sentiments, 315. *Anuśāsana Parvan*, allusion to drama in, 28. *Anuṣṭubh*, metre, 346. *Antarasandhi*, nature of, 302, 303. *Anyā, anyastrī*, heroine as wife of another, 308. *Apaṭi*, curtain, 61, 359. *Aparavaktra*, metre, 166. *Apavāritam*, confidentially, 304. *Abhijñāna*, recognition, as motif, 62. *Abhijñānaśakuntala*, (drama) of Çakuntalā (recognized) by a token of recognition, see *Çakuntalā*. *Abhidhā*, power of denotation, 317. *Abhinayadarpaṇa*, by Nandikeçvara, 338, n. 1, 367, n 1. *Abhinavabhāratī*, by Abhinavagupta, 291. *Abhirāmarāghava*, 329, n. 1, 344, n. 1. *Abhivyakti*, revelation of sentiment, 317. *Abhiṣekanāṭaka*, by Bhāsa, 94, 101, 105, 110, 111, 113, 114, 115. *Abhisārikā*, type of heroine, 309.