The Sanskrit Drama in its Origin, Development, Theory & Practice c24.13

c24.13

*Kathakas*, reciters, 29, 30. *Kathā*, tale, 76, 258. *Kathāsaritsāgara*, by Somadeva, 52, 129, 134, 192, 193. *Kathodghāta*, form of prologue, 340. *Kadua*, not in Bhāsa, 122. *Kappiṇābhyudaya*, poem by Çivasvāmin, 220, n. 2. *Kariya*, gerund of *kr* in Açvaghoṣa, 88. *Karuṇa*, pathos, as a sentiment, 323, 325. *Karuṇākandala*, 343, n. 1. *Karotha*, anomalous strong form in Açvaghoṣa, 88. *Karṇabhāra*, by Bhāsa, 87, 96, 106, 122, 336. *Karṇasundarī*, by Bilhaṇa, 256, 369. *Karpūracarita*, by Vatsarāja, 265. *Karpūramañjarī*, by Rājaçekhara, 232, 233, 234, 235, 239, 342, 350. *Kalahāntaritā*, type of heroine, 309. *Kaleti*, in Açvaghoṣa, 87. *Kālanā*, in Açvaghoṣa, 86. *Kāvya*, as influencing drama, 283, 284. *Kāvya*, a type of drama, 351. *Kāvyanirṇaya*, by Dhanika, 293 *Kāvyaprakāça*, by Mammaṭa, 171, 295, n. 1. *Kāvyamīmānsā*, by Rājaçekhara, 232, 271, 287, 288. *Kāvyādarça*, by Daṇḍin, 104. *Kāçikā Vṛtti*, cites Candra's grammar, 168. *Kāçirājñe*, irregular compounds in Bhāsa, 121. *Kirātārjunīya*, by Bhāravi, 194. *Kirātārjunīya*, by Vatsarāja, 265. *Kilakiñcita*, hysteria, 310 *Kiçca*, in Açvaghoṣa, 86. *Kissa*, in Bhāsa, 122. *Kīrti*, fame, 84. *Kīrtikaumudī*, by Someçvara, 248, n. 7. *Kīrtimañjarī*, an allegorical character, 254. *Kuṭila*, metre, 346. *Kuṭṭanīmata*, by Dāmodaragupta, 171. *Kuṭṭamita*, pretended anger, 310. *Kuṇḍamālā*, 341. *Kumāra*, prince royal, 312. *Kumārasambhava*, by Kālidāsa, 75, 146, 147, 167, 284, 285, 312, 352. *Kuçilava*, actor, 31, 360, 363. *Kṛṣṇavijaya*, by Veṅkaṭavarada, 267. *Kṛṣṇābhyudaya*, by Lokanātha Bhaṭṭa, 268.