The Sanskrit Drama in its Origin, Development, Theory & Practice c24.15

c24.15

*Gauḍavaha*, by Vākpati, 187. *Gaṅgādāsapratāpavilāsa*, by Gaṅgādhara, 251. *Gacchia*, and *gadua* in Bhāsa, 122. *Gaḍu*, obscure term, 35. *Gaṇḍa*, abrupt remark, 329. *Gaṇhadi*, in Bhāsa for *geṇhadi* in Açvaghoṣa, 122. *Gambhīratā*, depth, 226. *Garbha*, third juncture, 299. *Garbhāṅka*, embryo act, 303. *Gahitam*, in Açvaghoṣa, 89. *Gāmbhīrya*, impassivity, as quality of the hero, 307. *Gītagovinda*, by Jayadeva, 17, 40, 239, 272, 339, n. 1. *Gīti*, metre, 142, 203. *Guṇa*, excellencies, theory of, 331, 332, 333, 334. *Gṛhya*, irregular form in Bhāsa, 121. *Gai*, sing, used of *Sāmaveda*, 20. *Gopālakelicandrikā*, by Rāmakṛṣṇa, 272-4. *Goṣṭhī*, a type of drama, 351. *Granthikas*, reciters, 32-5, 38, 39, 45, 272. *Granthin*, owner of a book, 35, n. 2.