The Sanskrit Drama in its Origin, Development, Theory & Practice c24.23
The Sanskrit Drama in its Origin, Development, Theory & Practice c24.23
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c24.23
*Tamas*, element of dullness, 318. *Taraṅgadatta*, a Prakaraṇa, 225, 346. *Tava*, in Aṣvaghoṣa, 88. *Tāṇḍava*, dance, 12, 42, 241, 338, 339. *Tāta*, as style of address, 314. *Tāpasavatsarājacarita*, by Anaṅgaharṣa Mātrarāja, 220. *Tiraskaraṇī* or *Tiraskariṇī*, curtain, 359. *Tumhākaṃ*, in Aṣvaghoṣa, 89. *Tulyadharma*, irregular compound in Bhāsa, 121. *Tuvam*, in Aṣvaghoṣa, 88. *Tejas*, honour as a quality of the hero, 307. *Toṭaka*, see *Troṭaka*. *Trigaṭa*, various senses of, 111, n. 2, 328, 340. *Trigūḍha*, a kind of song, 338. *Tripuradāha*, by Vatsarāja, 267, 347. *Trimūḍhaka*, a kind of song, 338. *Troṭaka*, a type of drama, 151, 350, 351. *Theragāthā* (866 ff.), alleged dramatic character of, 43, n. 1. *Therīgāthā*, 43, n. 1, 54.