The Sanskrit Drama in its Origin, Development, Theory & Practice c24.36

Language: English

c24.36

*Mrgānkalekhā*, by Viçvanātha, son of Trimaladeva, 257, n. 1. *Mṛcchakaṭikā* (for an implausible conjecture as to date (7th or 8th cent.) and author, see J. Carpentier, JRAS., 1923, pp. 597 ff.), 62, 63, 64, 65, 66, 67, 69, 70, 74, 77, 82, 84, 92, 93, 104, 107, 123, n. 3, 128-42, 153, 161, 192, 193, 280, 286, 305, 309, 311, 314, n. 2, 335, n. 3, 336, 337, 346, 363, 365, 369, n. 2. *Mṛdava*, turning of evil into good, 329. *Meghadūta*, by Kālidāsa, 76, 145, 167; imitated by Bhavabhūti, 193. *Moṭṭāyita*, manifestations of affection, 310. *Moha*, confusion, as a character, 251, 252. *Mohamudgara*, 239. *Moharājaparājaya*, by Yaçaḥpāla, 84, n. 1, 253-6, 344, n. 2.

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