The Sanskrit Drama in its Origin, Development, Theory & Practice c24.47

c24.47

*Saṃkīrṇa*, mixed form of *Viṣkambhaka*, 302. *Saṃkṛti*, metre, appropriate to lively dialogue, 331. *Saṃkṣipti*, construction of object, 327. *Saṃgamamaṇi*, stone of reunion, 62. *Saṃgītadāmodara*, unites ornaments and beauties, 330, n. 1. *Saṃghātya*, breach of alliance, 327. *Saciva*, as style of a minister, 314. *Saṭṭaka*, a type of drama, 233, 350. *Sattva*, element of goodness or truth, 318. *Saddharmapuṇḍarīka*, dramatic form of the, 43. *Sandhi*, junctures of the plot, 298-300. *Sandhima*, kind of stage properties, 365. *Sandhyantara*, divisions of junctures, 303. *Sabhāpati*, patron of the drama, 370. *Samajja* or *Samāja*, form of entertainment, 43, 85. *Samatā*, homogeneity of style, 331. *Samavakāra*, a type of drama, 97, 225, 266, 267, 268, 291, 346, 353. *Samāja*, 85, and see *Samajja*. *Samādhi*, metaphorical language, 331. *Samācvasitum*, irregular form in Bhāsa, 121. *Samudramathana*, by Vatsarāja, 267, 268. *Samudramanthana*, a *Samavakāra*, 225. *Sampheta*, fighting, 328. *Sambhog*, union, as part of erotic sentiment, 323. *Sarvacarita*, by Bāṇa, 182, n. 3. *Sarvarājñaḥ*, irregular compound in Bhāsa, 121. *Sarvavinodanātaka*, by Kṛṣṇa Avadhūta Ghaṭikācata Mahākavi, 267. *Sassirīkaṃ*, for *saçrīkaṃ*, in Açvaghoṣa, 88. *Sahṛdaya*, man of taste, 318. *Sāttvatī*, correctly *Sātvatī*, grand (manner), 326, 327. *Sāttvika*, of excellencies of hero, 307. *Sāttvika*, class of consequents, 315. *Sāttvikābhinaya*, nature of, 367, 368. *Sāḍika*, dance, 350, n. 2. *Sātvatī* (‘of the Satvants’, cf. Lévi, TI. i, 332), grand (manner), 326, 327. *Sādhāraṇī*, courtesan, 309. *Sādhāraṇī kṛti*, generic power of poetry, 321. *Sādhu*, style of address, 314. *Sāmaveda*, 12, 15, 20, 26. *Sāvitrīcarita*, by Caṅkaralāla, 270. *Sāhityadarpaṇa*, by Viçvanātha, 71, 225, 268, 294, 295, 336, 342. *Siddhāntakaumudī*, cites Rājaçekhara for grammar, 230. *Sukumāratā*, softness of style, 331. *Sukṛtasaṃkīrtana*, by Arisiṃha, 248, n. 7.