The Sanskrit Drama in its Origin, Development, Theory & Practice c24.6

c24.6

*Udāttarāghava*, by Māyurāja, 221, 223, 297. *Udāratā vacasām*, claimed by Bhavabhūti, 196. *Udāratva*, elevation of style, 331. *Udghātya*, abrupt dialogue, 328; in the prologue, 341. *Uddīpana*, excitant determinants, 315. *Uddhata*, haughty (hero), 305, 306, and see *Dhīroddhatta*. *Unmattaka*, disguise of, adopted by Yaugandharāyaṇa, 108, 184, 185. *Unmattarāghava*, by Bhāskara Kavi, 268. *Upagīti*, metre, 123. *Upajāti*, metre, 123, 142, 166, 203, 212. *Upanāgarikā*, style, 332, 333. *Upanisad*, Theology, 251, 252. *Upapati*, adulterer, 307, n. 1. *Upapatti*, use of argument, 330. *Uparūpaka*, minor dramatic forms, 268, 269, 349-51. *Upasthāyika*, eunuch, 313. *Ummadantijātaka*, alleged dramatic character of, 43, n. 1. *Ullāpya*, a form of drama, 351. *Uṣṇih*, metre, 346. *Ūrubhaṅga*, by Bhāsa, 38, 94, 96, 106, 114, 278, 300, 354.