The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s2.5

Language: English

c7.s2.5

¹ *ye tāvad ete çobhanikā nāmaite pratyakṣam Kaṃsaṃ ghātayanti pratyakṣam Balim bandhayantīti. citreṣu katham? citreṣu apy udgūrṇā nipātitāç ca prahārā dṛçyante Kaṃsakarṣaṇasya ca. granthikeṣu katham yatra çabdagadumātram lakṣyate te 'pi hi teṣām utpattiprabhṛty ā vināçād rddhīr vyācakṣāṇāḥ sato buddhiviṣayān prakāçayanti. ātaç ca sato vyāmiçrā hi dṛçyante: kecit Kaṃsabhaktā bhavanti, kecid Vāsudevabhaktāḥ. varṇānyatvam khalv api puṣyanti: kecit kālamukhā bhavanti, kecid raktamukhāḥ.* See iii. 1. 26. The text, uncertain in detail, must be corrected by replacing *buddhīr* for the absurd *rddhīr* of some manuscripts only, defended by Lüders. See Weber, IS. xiii. 487 ff. Çaubhika is a variant.

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