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The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s2.9

The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s2.9

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c7.s2.9

³ Weber might be interpreted as believing in an actual killing, but, if so, he was clearly in error, and in point of fact he merely gives this as possible (IS. xiii. 490). That Çaubhikas did manual acts and were not talkers primarily, if at all, is suggested by the use elsewhere of the term; thus in the *Kāvyamīmāṃsā*, p. 55, they are classed with rope-dancers and wrestlers.

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