The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s3.31
The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s3.31
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c7.s3.31
¹ Lévi, TI. i. 319 ff. That any of the early Buddhist texts (e.g. *Padhānasutta*, *Pabbajjāsutta*; *Mārasamyutta*, *Bhikkhunisamyutta*; *Chaddanta*-, *Ummadantī*-, *Mahā-janaka*-, or *Candakinnara-jātaka*; *Theragāthā*, 866 ff.; *Therīgāthā*, 912 ff.) is really dramatic is out of the question; cf. Winternitz, VOJ. xxvii. 38 f.
Linked texts (7)
- Jātaka — Pāli
- Theragāthā — Pāli
- Therīgāthā — Pāli
- Padhānasutta — Pāli
- Pabbajjāsutta — Pāli
- Mārasaṃyutta — Pāli
- Bhikkhunīsaṃyutta — Pāli