The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s5.13
The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s5.13
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c7.s5.13
Nor can we lay much stress on the difficulty of India borrowing anything from the Greek drama, owing to the great difference between the two civilizations, Indian exclusiveness, Indian ignorance of foreign languages, or similar general considerations, because we have really no evidence of value of the feelings and actions of the Indians during the period when the Greek invasion was only the forerunner of invasions by Parthians, Çakas, and Kuṣaṇas, followed by other less famous but not unimportant immigrants, whose advent vitally affected the population and civilization of the north-west of India. It is plain that in the Gupta dynasty of the fourth century A.D. we find a great Hindu revival, but a revival which evidently drew strength primarily from the east, and we do not know anything definite to enable us to reason *a priori* on what was, or was not, possible as regards assimilation of the drama. The only decisive evidence possible is that of the actual plays, and unfortunately the results to be attained by examination of them are not at all satisfactory.