The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s5.31

c7.s5.31

Nor can any special value be ascribed to the rule, which is laid down in the theory, and observed in practice, and which confines the events in an act to the limits of a single day, as compared with the rule of Aristotle¹ that the events of a drama should not exceed, or only by a little, the duration of a day. If the rule was borrowed, it was greatly changed in sense by permitting long periods, up to a year, to elapse between the acts in the Sanskrit drama, and the mere moral needs of the approximation to reality requisite for illusion would produce the state of the Sanskrit drama without external influence.