The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s5.38
The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s5.38
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c7.s5.38
Windisch admitted that in regard to the theatrical buildings there was no possibility of comparison, as the Indian theatre was not permanent, but Bloch¹ has endeavoured to show that the Sītābengā cave theatre has marked affinities to the Greek. The attempt, however, is clearly a failure; the construction of the whole is merely that of a small amphitheatre cut out in the rock for a small audience without any special similarity to the Greek theatre of any period.