The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s5.40

c7.s5.40

More recently the tendency of those who seek to find Greek influence in the making of the Sanskrit drama has turned to the mime as the form of art which exercised influence on India, and the older arguments of Windisch have been given a new shape and in part strengthened in this regard.² The mime was performed without masks and buskins, as was the Indian drama. Moreover the mime, at any rate in Roman hands, had a curtain (*siparium*), which may be compared with the curtain of India. There was also no scene painting in the mime; different dialects were used, and the number of actors was considerable. Further, some of the standing types of the mime may be paralleled in the Indian drama; the *zēlotypos* has some similarity to the *Çakāra*, the *mōkos* to the *Vidūṣaka*.