The Sanskrit Drama in its Origin, Development, Theory & Practice c9.s2.8

c9.s2.8

The drama shows close agreement with the classical model; the name of the Vidūṣaka is evidence of this, for not only is it connected with a real Brahmin family, but it obeys the rule that the name of that character should indicate a flower, the spring, &c., for it means literally ‘the offspring of the lotus-smelling’. The name of the hetaera does not observe the rule exemplified in the Cārudatta that the hetaera’s name should end in senā, siddhā, or dattā, but, apart from the fact that the authority for the rule is very late, the name was very probably given to the poet by the literary tradition. The fact that the Duṣṭa and the Nāyaka appear by these titles only has a parallel in the Cārudatta and the Buddhist drama of Harṣa, the Nāgānanda, but it is difficult to say whether or not this is a sign of antiquity.