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A History of Sanskrit Literature c11.6

A History of Sanskrit Literature c11.6

Language
English

c11.6

In tone and content the Āraṇyakas form a transition to the Upanishads, which are either imbedded in them, or more usually form their concluding portion. The word *upa-ni-shad* (literally “sitting down beside”) having first doubtless meant “confidential session,” came to signify “secret or esoteric doctrine,” because these works were taught to select pupils (probably towards the end of their apprenticeship) in lectures from which the wider circle was excluded. Being entirely devoted to theological and philosophical speculations on the nature of things, the Upanishads mark the last stage of development in the Brāhmaṇa literature. As they generally come at the end of the Brāhmaṇas, they are also called *Vedānta* (“end of the Veda”), a term later interpreted to mean “final goal of the Veda.” “Revelation” (*çruti*) was regarded as including them, while the Sūtras belonged to the sphere of tradition (*smṛiti*). The subject-matter of all the old Upanishads is essentially the same—the doctrine of the nature of the Ātman or Brahma (the supreme soul). This fundamental theme was expounded in various ways by the different Vedic schools, of which the Upanishads were originally the dogmatic text-books, just as the Brāhmaṇas were their ritual text-books.