History of Dharmashastra (Ancient and Mediaeval Religious and Civil Law in India) v7.c97.20
History of Dharmaśāstra (Ancient and Mediaeval Religious and Civil Law in India) v7.c97.20
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v7.c97.20
Bhatavdekar who is a fine-looking and tall man, an excellent actor, a good Sanskritist and a singer. It was a great success Emboldened by this success I suggested that other Sanskrit dramas should be put up on the stage. Mr. Bhatavdekar and Mr. P P. Joshi, two enthusiastic workers of the *Sanskritic Samiti* (Cultural Committee) of the Brāhmanasabhā at Bombay, worked hard and at different times and in different places (Delhi, Bombay, Ujjain, Poona) put up on the stage ten Sanskrit dramas, Śākuntala, Mṛcchakatika, Ratnāvali, Veṇīsaṁhāra, Uttararāmacarita, Mudrārākṣasa, Vikramorvaśīya, Mālavikāgnimitra, Svapnavāsavadattā and Saṅgīta Saubhadra (translated into Sanskrit by Mr. S B. Velankar, Indian Postal Service, from the original Marathi by Anna Kirloskar). These performances became very popular. The sale of tickets yielded 150,000 Rs. out of which about thirty thousand were saved after meeting all expenses as a fund to fall back upon when they performed one of these plays at different places
Linked texts (9)
- Mṛcchakaṭika — Śūdraka, Sanskrit
- Mudrārākṣasa — Viśākhadatta, Sanskrit
- Veṇīsaṃhāra — Bhaṭṭa Nārāyaṇa, Sanskrit
- Svapnavāsavadatta — Bhāsa, Sanskrit
- Mālavikāgnimitra — Kālidāsa, Sanskrit
- Ratnāvalī — Harṣavardhana, Sanskrit
- Vikramorvaśīya — Kālidāsa, Sanskrit
- Abhijñānaśākuntala — Kālidāsa, Sanskrit
- Uttararāmacarita — Bhavabhūti, Sanskrit