History of Technology in India, Vol. I: From Antiquity to c. 1200 A.D. v1.c34.s4.t7.2
History of Technology in India, Vol. I: From Antiquity to c. 1200 A.D. v1.c34.s4.t7.2
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v1.c34.s4.t7.2
After the completion of the enamelling, the hollow ornament is filled with shellac on which precious stones are set. The ornament was sent to a different craftsmen, Māṇikya-bandhaka or the Kundansāz, who used to set the precious stones over it. “The grooves are initially made for this setting in the form of an artistic scroll. A piece of thin silver sheet (dāk) alloyed with three ratis of pure gold to a tola, to prevent it from tarnishing, is cut to shape, made concave and then highly polished. This is then fixed in each groove to give lustre to the stone. Upon it is placed the stone and then it is set. In the case of coloured stones, if its colour is light, the dāk is tinted with transparent colour, or the back of the stone itself is given a tint called Joban. The purest gold leaf is employed for this setting, which is well pressed around the gems with a steel bit, forming an edge around them. The thinner this edge is, the better it looks. In ancient India, the precious stones were generally set in their original shape. However, if a spot was detected, the entire piece was covered with facets in order to hide the flaw. As it has been pointed out by a scholar, “upto 14th century, pierced stones cut on cabochon were the greatest fashion”. The gems were later set by the Kundansāz by using lac, tinsel or gold foil, prepared by the Bindligar. In fact, the Kundan is the ancient name given to the fine variety of purified gold, the foils of which were set at the base to hold the gem in its place firmly. Later, the work itself was known as *Kundan*- work. In ancient jewellery, sometimes the crystal is found encrusted in place of precious gems. With the advent of the British rule in India, the gems are set more with ‘open claw’ technique, which leaves the underside of a stone clear. The polishing was done keeping in view the original shapes and colour of the stone. The chased surface of the ornament was rubbed with agate to produce a smooth and glittering surface.