Vada in Theory and Practice: Studies in Debates, Dialogues and Discussions in Indian Intellectual Discourses c10.s6.22
Vāda in Theory and Practice: Studies in Debates, Dialogues and Discussions in Indian Intellectual Discourses c10.s6.22
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c10.s6.22
It was Paṇḍitarāja Jagannātha in seventeenth century who raised vital issues and introduced some very refreshing ideas in the discourse of *rasa* aesthetics. He not only gave a genuine Vedāntic interpretation to Abhinavagupta’s Śaivite moorings, he even rejected the whole framework of absolutist aesthetics, to suggest two alternate new theories on *rasa* experience as a deliberately created and maintained illusion. He also added a fifth category in the four types of Vīra Rasa. *Dānavīra*, *dayāvīra*, *dharmavīra* and *yuddhavīra* — these are the four types of Vīra Rasa. Paṇḍitarāja Jagannātha said that there is a fifth type of Vīra Rasa, i.e. *pāṇḍityavīra*. It would find an expression in intellectual debates and intense philosophical discussions pursued with an involvement and commitment. This is in fact recasting the whole framework of *vāda* in an aesthetic framework.