འཕགས་པ་ད་བཞན་གཤགས་པ་བདན་གྱ་སྔན་གྱ་སྨན་ལམ་གྱ་ཁྱད་པར་རྒྱས་པ་ཞས་བྱ་བ་ཐག་པ་ཆན་པའ་མད intro.25

intro.25

The sūtra and the rituals surrounding it became popular at the Yuan court, and members of the court sponsored the sūtra’s publication in a wood-block edition.¹⁴ Śāntarakṣita’s liturgical adaptations of the sūtra were translated into Chinese by a disciple of Chögyal Pakpa (Pakpa Lodrö Gyaltsen, ’phags pa blo gros rgyal mtshan, 1235–80), the Sakya hierarch who served as national preceptor to Qublai Khan.¹⁵ Rituals of worship based on the sūtra were performed regularly in the Yuan capital Dadu (present-day Beijing). In the same period, Chim Namkha Drak (Tib. mchims nam mkha’ grags, 1210–85) wrote a short liturgy for the sūtra titled A Method for Accomplishing the Worship of the Seven Thus-Gone Ones (de bzhin gshegs pa bdun gyi mchod pa ji ltar bsgrub pa’i tshul). These liturgies continued to be popular over the ensuing centuries, and liturgies were written by prominent figures within every major school of Tibetan Buddhism.