熾盛光道場念誦儀 1.8

1.8

二、立道場法。若國王、臣庶並須預空其屋，淨潔掃灑、香泥塗地，隨看廣狹而安道場；於香壇上正面安釋迦像，以曼殊、普賢、觀音等像從之，四方安護世四天王像，壇中佛前安忿怒明王像。（《聖捺迦忿怒金剛童子菩薩成就軌儀經》上卷：「金剛藏菩薩云：『畫菩薩法，取白㲲用牛尿洗，復用香水濯之。於閒靜處，對佛前、舍利塔。不應用皮膠和彩色，畫筆、色盞須新者。畫匠澡浴、著淨衣，受八齋戒。勿吐氣以衝其像，亦不與畫人論其價直。其像獨身，從海涌出，如吠瑠璃色，身有六臂，臂膊𦟛停，相貌充滿；面有三目，其目赤色，首戴寶冠，狗牙上出，口咬下唇，顰眉威怒。又於海中畫一寶山，像以左足踏於寶山，山上有妙蓮華，以承其足，右足在海水中立，沒其半膝。右第一手持金剛杵作擲勢；第二手持母婆羅棒，謂棒一頭如鐵杵形；第三手執鉞斧。左第一手把棒；第二手如擬勢，作金剛拳舒頭指；第三手持劍。以大蛇於身角絡繫；又以一切毒蛇，膊釧、臂釧、腰絛、瓔珞及耳璫、繫髮；又以大蛇繞腰三匝。身背圓光，火焰圍繞，於火焰外有其雲電，以相輔翼也。』」）以設覩嚕形對之。（梵語「設覩嚕」，此翻為「冤」，即畫冤家形於忿怒明王像前也。）餘繞四壁，列諸星曜、淨居天等位供養，取意自裁。

Second, the method of establishing the bodhimaṇḍa: Whether kings or commoners, all must empty the room in advance, sweep and sprinkle it purely and cleanly, and smear the ground with fragrant mud, setting up the bodhimaṇḍa according to the broad or narrow space. On the fragrant altar, place the image of Śākyamuni in front, accompanied by images of Mañjuśrī, Samantabhadra, Avalokiteśvara, and others; place images of the Four Heavenly Kings who Protect the World in the four quarters; and place an image of the wrathful Vidyārāja in the center of the altar before the Buddha. (The first fascicle of the Āryonmatta-krodha-vajrakumāra-bodhisattva-sādhana-kalpa Sūtra states: 'Vajragarbha Bodhisattva said: "The method of painting the Bodhisattva is to take white cloth, wash it with cow urine, and wash it again with fragrant water. In a quiet place, face before the Buddha or a relic stūpa. One should not use animal glue to mix the colors; the paintbrushes and color cups must be new. The painter bathes, wears clean clothes, and receives the eightfold purification precepts. He must not exhale his breath against the image, nor bargain over the price with the painter. The image is a single body, surging forth from the ocean, colored like vaidūrya. The body has six arms, the arms and shoulders symmetrical and plump, the features full. The face has three eyes, the eyes red. The head wears a jeweled crown, canine teeth protruding upwards, biting the lower lip, with knitted brows and majestic wrath. Furthermore, in the ocean paint a jeweled mountain; the image steps on the jeweled mountain with the left foot, upon which is a wondrous lotus to support the foot; the right foot stands in the seawater, submerged up to half the knee. The first right hand holds a vajra in a throwing gesture; the second hand holds a mudgara club, meaning a club with one end shaped like an iron pestle; the third hand holds a battle-axe. The first left hand holds a staff; the second hand is in a pointing gesture, making a vajra fist with extended index finger; the third hand holds a sword. A great snake binds the torso diagonally; furthermore, all poisonous snakes serve as shoulder bracelets, arm bracelets, a waistband, necklaces, earrings, and hair ties; moreover, a great snake wraps around the waist three times. A round halo behind the body is surrounded by flames, and outside the flames are clouds and lightning to support and flank it."') Face it toward the form of the śatru. (The Sanskrit word 'śatru' is translated here as 'enemy', which means painting the form of the enemy in front of the image of the wrathful Vidyārāja.) Around the four remaining walls, arrange the seats of the various constellations, Śuddhāvāsa devas, and others to make offerings, deciding the arrangement according to intent.