Gopalacampu 1.1.94

1.1.94

[51] śrī-govardhana-nāmā cāyaṃ ramaṇīya-maṇi-śilābhiḥ samāsanam āsanam,
khagāvali-kalita-kākalībhiḥ svāgataṃ svāgatam,
śyāmāka-dūrvābja-viṣṇukrāntāparyag-ākrānta-tiryag-nirjharibhir niṣpādyaṃ pādyam,
cañcan-mṛga-caraṇa-nyañcad-akṣata-darbhānantāṅkuraiḥ samarghyam arghyam,
tīra-sanīḍa-jātī-lavaṅga-kakkola-saṅgata-pallalair alam ācamanīyam ācamanīyam,
nava-nava-nava-prasūta-gavī-navīna-snuta-kṣīra-pariṇata-dadhi-tat-prasṛta-ghṛta-śabalanais tarūpahṛta-madhuparkaṃ madhuparkam,
śikhara-śekhara-śilāsara-prakhara-dhārā-pātair anukṛta-snapana-paricaryā-prīti-majjanaṃ majjanam,
dukūlavad-anukūla-saṃśleṣa-svarṇa-varṇa-vṛkṣa-viśeṣa-valkalaiḥ kalita-sukha-vasanaṃ vasanam,
svabhāvānubandha-gandha-sugandha-śilā-śata-pariṇata-hari-candana-gaura-gairikaiś carcātiśayaṃ carcātiśayam,
praphulla-māla-mālatī-latādibhir nandita-sumanasaḥ sumanasaḥ,
gavyākhuravyāhati-jātāguru-dāru-dhūmair vyāhata-sarva-dhūpaṃ dhūpam,
divāpi vidyoti-maṇi-nikara-jyotibhiḥ sarva-sampad-uddīpaṃ dīpam,
mañjula-guñjāpiñchā-divi ncholīvāñchita-nirmāṇaiḥ kṛta-suṣamā-bharaṇam ābharaṇam,
abhilāṣānukūla-phala-mūla-valayaiḥ sarva-sukha-samāhāraṃ samāhāram,
puṣpa-vāsita-śītala-jala-valayita-punar-ācamanam anu vimala-parimalātula-tulasikā-pallavādibhir mukha-vāsanaṃ mukha-vāsanam,
marud-uccala-sphuṭa-puṣpa-sampac-campaka-dīpāvalyā sphuṭam ārātrikam ārātrikam,
ghana-kisalaya-valaya-saṅkula-bakula-mukha-śākhā-nikaraiḥ śobhāntaratamātapatram ātapatram,
malaya-marul-lava-calat-pallava-viśāla-śālair nandita-bhavya-janaṃ vyājanam,
nija-svara-vivekināṃ kekinām anekāṅga-kekābhiḥ kalilāsyaṃ lāsyam,
hari-veṇu-dhvani-bhram-kīcaka-kala-krama-ktākarsa-vanitānvita-śayyāyamāna-puspa-pāta-paryāyaiḥ kta-sarvātiśayanaṃ śayanam,
kākalī-kalila-kala-kokila-kulair labdha-saṅgānaṃ saṅgānam api hariṃ parikalayan pūrva-pūrva-siddha-nija-hari-dāsa-varyatāṃ paryāpayann āste |

And this one named Śrī Govardhana, offering Hari an exquisite seat by means of delightful gem-slabs, / a welcome of welcomes through the soft trills produced by flocks of birds, / foot-wash to be produced by crosswise cascades brimming with śyāmāka grass, dūrvā, lotuses, and viṣṇukrāntā, / a worthy offering of honour by means of endless sprouts of unbroken darbha bending under the feet of darting deer, / ample water for sipping through pools joined with nutmeg, cloves, and kakkola nestled on the banks, / madhuparka offered by the trees through mixtures of curd matured from the freshly flowing milk of freshly calved cows and ghee melted therefrom, / an immersion in the delight of bathing service imitated by the torrential downpours from stones on the crowns of its peaks, / garments of comfort provided by the fine barks of special golden-hued trees that cling snugly like silk, / abundant anointing through yellow ochre and hari-candana transformed from hundreds of fragrant stones imbued with natural scent, / lovely flowers delighting the mind with blossoming mālatī creepers and garden vines, / incense surpassing all incense through the smoke of aguru wood struck by the impact of cow hooves, / a lamp illuminating all splendour through the light of heaps of gems glowing even by day, / an ornament making exquisite adornment through desired creations made from charming guñjā berries, peacock feathers, and strings of birds, / food gathering all happiness through circles of fruits and roots suited to desire, / a mouth-freshener through shoots of tulasī and others of spotless, matchless fragrance, following another sipping of water surrounded by cool water scented with blossoms, / an unmistakable waving of lamps through the rows of campaka blossoms bursting into bloom as the wind blows, / an utmost canopy of beauty formed by dense clusters of boughs fronted by bakula trees entwined with thick shoots, / a fan delighting noble people with broad śāla trees whose sprouts are stirred by the gentlest breezes of Malaya, / dramatic dance whose gestures are filled with peacocks, discerning of their own notes, emitting diverse bodily screams, / a bed providing all surpassing rest with successive falls of flowers serving as a couch accompanied by forest women attracted in succession by the sweet bamboo [sounds] mistaken for the notes of Hari's flute, / and choral singing obtained through flocks of sweet cuckoos mingled with soft warblings—perceiving Hari thus, he remains fulfilling his long-established status as the best of Hari's servants.