Gopalacampu 1.2.5

1.2.5

siddhe tatra tu saṃśleṣe kutrāpi rātriviśeṣe śeṣe golokādvandva-mahendra-dvāri hāri dundubhi-dvandvam unnanāda | nāda-viśeṣa-miṣeṇānandam evedam ujjagāreti matvā, loko' py ujjajāgāra | na ca sa eva kevalaḥ, kintu kṛṣṇāvaloka-tṛṣṇayā saha, yathā kamala-samūhaḥ parimala-dhārayā | atha nija-nija-vṛndinaḥ sūta-māgadha-vandinaḥ śrīman-nanda-rāja-pura-virājamāna-bṛṃhita-siṃha-dvāri sarvordhvaṃ vindamānāṃ candra-śālikām adhiruhya, nūtanāni pūtanādi-dantavakrānta-durbuddhi-śakrāri-cakra-vadha-sambaddhāni virudādi-cchandāṃsi svacchandatayā naṭanta ivāparyantaṃ paṭhantaḥ samantād eva jana-sandoham ānanda-dohaṃ lambhayāmāsuḥ | sānurāga-rāgāvali-vibhāga-laṅgima-saṅgīta-saṅgi-tal-līlā-kathākulam apy ākalayāmāsuḥ
|

Once that reunion had taken place there, at the close of a certain night, a charming pair of kettledrums sounded at the gate of the sovereign of Goloka, free of dualities. Considering that bliss itself had arisen in the guise of this special sound, the folk also awoke. Nor did they awake alone, but together with thirst to behold Kṛṣṇa, just like a bed of lotuses along with a stream of fragrance. Then the bards, minstrels, and heralds, gathered in their respective groups, mounted the moon-pavilion situated at the very top of the magnificent lion-gate that shone before the city of glorious King Nanda. There, as if dancing at will, reciting boundlessly the fresh panegyrics and metered compositions connected with the slaying of the host of foolish enemies of Indra, beginning with Pūtanā and ending with Dantavakra, they caused the assembly of people on all sides to attain an outpouring of bliss. They also performed an array of stories of His divine play, accompanied by melodies of graceful charm arranged in deeply affectionate rāga modes.