Gopalacampu 1.2.6

1.2.6

[3] tadā muhur api harer avadāna-gānato labdha-toṣa-poṣā ghoṣādhipati-dampati-mukhāḥ parama-sukhād atiśasta-vastrālaṅkāra-bhāraṃ tebhyaḥ svayam īhayā vihāpayāmāsuḥ | kintu śravaṇe' pi tṛptir na kptim avāpa, kathaṃ vā tatrāvaśyam eva vaśanīyā sātiḥ sātim āsīdatu? tad anu ca samudbhūta-prema-rasa-rāśir vraja-vāri-rāśiḥ svayam eva nija-nija-hṛdayaṅgama-vraja-maṅgala-śyāmalāṅga-saṅgāna-taraṅga-saṅgha-saṅgitayā viśva-vismaya-kāritāṃ saṅgatavān | tatra ca, gīyamānatayā sannidhīyamānasya tadīya-yaśasaś candramasaḥ samatām anumimīmahe |

Then, their satisfaction nourished over and over by the singing of Hari's heroic deeds, the king and queen of the cowherd settlement, out of supreme delight, eagerly and with their own hands bestowed upon them an abundance of the finest garments and ornaments. Yet in hearing, satisfaction found no satiety—how indeed could that satiety, which must necessarily be kept in subjection, ever reach its limit there? Thereupon the ocean of Vraja, wherein an abundance of the rasa of love had welled up, attained the state of causing wonder to the whole universe through its association with the surge of song celebrating the dark-complexioned youth who is the auspiciousness of Vraja, dear to each of their hearts. And there, we infer that His moon of fame, brought near by being sung, possessed equality [with the moon in the sky].