Gopalacampu 1.24.14

1.24.14

atha rāsa-krama-parivalita-śrama-vanitālambita-deha | parito-bhramaṇaka-gaṇa-viśramaṇaka samudita-parama-sneha ||o|| kavi-kṛta-niścaya-śubhra-yaśaś-caya-mālā-samudaya-hārin | jayajayajayajaya jayajayajayajaya jayajaya rāsa-vihārin ||p|| | iti | [8 x 8 x 12]
[16] rājasi rāse valita-vilāse ity uktaṃ rūpam evaṃ nirūpayanti-
rūpaṃ yan nijanityasaubhagaśiroratnaṃ narākṛty asāv ānīyātra yadīyaśaktivibhavasyāgryāṃ sthitiṃ praikṣayat | citraṃ vismayate yataḥ svayam api svāśeṣasaṃveditā tasmin bhūṣaṇabhūṣaṇe' py adhur amūḥ śobhāṃ svayā śobhayā ||[śārdūlavikrīḍitam]
[17] tad uktam, yan martya-līlaupāyikam [BhP 3.2.12] ity ādi, tatrātiśuśubhe [BhP 10.33.6] ity ādi ca |
[18] tad evaṃ sati śrī-rādhikāyāṃ tu kaimutyam eva stutyaṃ jātam | [19] yuvatī-jāta ity ādāv evaṃ varṇayanti-

"Now, O You whose body is leaned upon by women fatigued by the course of the rāsa, O You around whom supreme affection has arisen for the resting of the whirling maidens! [o]
O Charmer who wear a garland of masses of bright fame ascertained by poets! Victory, victory, victory, victory! Victory, victory, victory, victory! Victory, victory, O You who sport in the rāsa!" [p] [22]
Regarding the phrase "You shine in the rāsa with revolving pastimes", they describe that form thus: [16]
"The form which is the crest-jewel of His eternal loveliness, which He brought into human guise here to display the foremost status of His power and opulence; from which even His own all-knowing self is astonished with wonder; upon that very ornament of ornaments, these [maidens] bestowed beauty with their own beauty." [23]
As it is said: "Which is suitable for mortal play" and "there He shone exceedingly", and so forth. [17]
This being so, with regard to glorious Rādhikā, praise was established a fortiori. [18] With the words "among the young women" and so forth, they describe: [19]