Gopalacampu 1.24.15

1.24.15

tāsāṃ vraja-kiśorīṇāṃ nityam aprasavātmanām | guṇaiḥ sa-prasavaiḥ pūrṇaṃ viśvam apy anvayair iva || [anuṣṭubh]
[20] yā saha bhavatā ity ādāv upaślokayanti ca-
śarva-brahma-sureśa-mukhya-diviṣad-vṛndāni yad-gānataḥ śaśvan moham ayus tam eva dayitaṃ kṛtvānugaṃ yā jagau | sārdhaṃ tena parāś camat-kṛti-parās tāṃ nirmimāṇām api vyarthīkṛtya vivikta-rāga-valanāṃ vandāmahe rādhikām || [śārdūla]
[21] tām evoddiśya cala-kuṇḍala ity ādāv ca kavayanti-
tad-adhara-rasam ācāntaṃ prāg akṛta dvir yad eṣa tad yuktam | dvija-saṃskṛta-tāmbūlaṃ katham adyād anyathā tasyāḥ || [āryā]
kiṃ ca-
kṛṣṇaḥ snehasya mūlaṃ kila lasati vapū-rūpam ity evam asmiṃs tādṛg nanda-vrajāntar-jana-sadasi sadaivānu-bhūti-pracāraḥ |
so' yaṃ yāsām amaṃsta praṇaya-maya-ṛṇāny ātmani preyasīnāṃ tāsām apy ūrdhvam ūrdhva-prathita-nidhi-maṇiṃ rādhikām eva naumi || [sragdharā]

"Of those maidens of Vraja, who by nature never bear children, the whole universe was filled with their fertile virtues, as if by their descendants." [24]
And with the words "She who, along with You" and so forth, they praise in verse: [20]
"She whose singing made Śarva, Brahmā, the lord of gods, and the foremost sky-dwellers continually fall into delusion, and who sang making that very beloved follow her; we revere Rādhikā who, though creating with Him other wonders intent on fascination, makes them futile through the movement of her distinct melody." [25]
Directed towards her alone, with "O bearer of swinging earrings" and so forth, they compose poetry: [21]
"It was proper that He previously sipped the nectar of her lower lip twice; otherwise, how could He eat the betel prepared by a dvija [twice-born / tooth]?" [26]
Moreover:
"The body of Kṛṣṇa shines forth as the very root of love—such an experience was always current among the people within Nanda's Vraja; He who considered Himself indebted with love towards these beloveds—above even them I praise only Rādhikā, the crest jewel of treasure famed on high." [27]