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Gita Govinda 1.10

Gītagovinda 1.10

Language
Sanskrit

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1.10.1

atrāntare'masṛṇa-roṣa-vaśām apāra-niḥśvāsa-niḥsaha-mukhīṃ sumukhīm upetya |
savrīḍam īkṣita-sakhī-vadanāṃ dinānte sānanda-gadgada-padaṃ harir ity uvaca ||

Meanwhile, approaching the fair-faced woman whose face was overcome by endless sighing under the sway of harsh anger,
and who bashfully looked at the face of her confidante,
Hari at the end of day spoke in joy with stammering words:

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1.10.1.p1

|| prabandhaḥ 19 ||

|| Lyric Composition 19

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1.10.1.p2

deśavarāḍi-rāgāṣṭātālī-tālābhyāṃ gīyate |

Sung in the melodic mode Deśavarāḍi and the rhythmic meter Aṣṭatālī.

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1.10.2

vadasi yadi kiñcid api danta-ruci-kaumudī harati dara-timiram atighoram |
sphurad-adhara-sīdhave tava vadana-candramā rocayatu locana-cakoraṃ ||

If you speak even a little, the moonlight of your teeth's radiance will dispel the terrible darkness of fear;
let the moon of your face delight the cakora bird of my eyes with the nectar of your trembling lip.

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1.10.2.p1

priye cāru-śīle muñca mayi mānam anidānaṃ |
sapadi madanānalo dahati mama mānasam
dehi mukha-kamala-madhu-pānaṃ ||dhruva-padaṃ ||

Beloved of lovely nature, abandon your causeless pride toward me!
At once the fire of Madana burns my mind;
give me the drink of the nectar of your lotus face! // Refrain

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1.10.3

satyam evāsi yadi sudati mayi kopinī dehi khara-nakhara-śara-ghātam |
ghaṭaya bhuja-bandhanaṃ janaya rada-khaṇḍanaṃ yena vā bhavati sukha-jātaṃ ||

If you are truly angry with me, sweet-toothed woman, strike with the arrows of your sharp nails,
fasten the bonds of your arms, inflict the wounding of your teeth, or whatever will bring pleasure!

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1.10.4

tvam asi mama bhūṣaṇaṃ tvam asi mama jīvanaṃ tvam asi mama bhava-jaladhi-ratnam |
bhavatu bhavatīha mayi satatam anurodhinī tatra mama hṛdayam atiyatnaṃ ||

You are my ornament, you are my life, you are my jewel in the ocean of existence;
always be favorably disposed toward me here—in that my heart is wholly intent.

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1.10.5

nīla-nalinābham api tanvi tava locanaṃ dhārayati kokanada-rūpaṃ |
kusuma-śara-bāṇa-bhāvena yadi rañjayasi kṛṣṇam idam etad-anurūpam ||

Slender woman, though your eye resembles a blue lotus, it takes on the appearance of a red lotus;
if you color Kṛṣṇa with the nature of the arrows of the Flower-Arrowed One, this is appropriate for it.

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1.10.6

sphuratu kuca-kumbhayor upari maṇi-mañjarī rañjayatu tava hṛdaya-deśam |
rasatu raśanāpi tava ghana-jaghana-maṇḍale ghoṣayatu manmatha-nideśam ||

Let a string of jewels flash upon the pitchers of your breasts and brighten the region of your chest;
let your girdle of bells also chime upon your heavy hips and proclaim the command of Manmatha!

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1.10.7

sthala-kamala-gañjanaṃ mama hṛdaya-rañjanaṃ janita-rati-raṅga-parabhāgam |
bhaṇa masṛṇa-vāṇi karavāṇi caraṇa-dvayaṃ sarasa-lasad-alaktaka-rāgam ||

Tell me, soft-voiced woman, may I color your two feet with moist, glowing red lac,
surpassing the land-lotus, delighting my heart, and bestowing excellence upon the stage of amorous pleasure?

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1.10.8

smara-garala-khaṇḍanaṃ mama śirasi maṇḍanaṃ dehi pada-pallavam udāram |
NOTE: {dhehi iti ni-pāṭhaḥ.}
jvalati mayi dāruṇo madana-kadanāruṇo haratu tad-upāhita-vikāram ||

Place upon my head your noble leaf-like foot, an antidote to the venom of Smara, an ornament for me! / A cruel fire burns within me, reddened by Madana's torment; let it dispel the agitation caused by it.

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1.10.9

iti caṭula-cāṭu-paṭu-cāru mura-vairiṇo rādhikām adhi vacana-jātam |
jayatu jayadeva-kavi-bhāratī-bhūṣitaṃ māninī-jana-janita-śātam ||

May this multitude of words of the enemy of Mura addressed to Rādhikā—playful, flattering, clever, and charming, / adorned by the poetry of the poet Jayadeva, creating joy for proud women—be victorious!

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1.10.9.p1

NOTE: {jayati iti pātḥaḥ.}
NOTE: {jayati padmāvatī-ramaṇa-jayadeva-kavi-bhāratī-bhaṇitam atiśātam iti ṭīkā-dhṛta-pāṭhāntaraḥ.}

NOTE: {Reading: jayati.} / NOTE: {Variant reading preserved in the commentary: jayati padmāvatī-ramaṇa-jayadeva-kavi-bhāratī-bhaṇitam atiśātam.}

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1.10.10

parihara kṛtātaṅke śaṅkāṃ tvayā satataṃ ghana-stana-jaghanayākrānte svānte parānavakāśinī |
viśati vitanor anyo dhanyo na ko'pi mamāntaraṃ praṇayini parīrambhārambhe vidhehi vidheyatām ||

Relinquish your apprehension, fearful one! With my heart constantly occupied by you, whose breasts and hips are firm, leaving no room for another, / no other fortunate man enters my heart besides the Bodiless One; beloved, yield to compliance as our embrace begins!

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1.10.11

mugdhe vidhehi mayi nirdaya-danta-daṃśa-dor-valli-bandha-niviḍa-stana-pīḍanāni |
caṇḍi tvam eva mudam udvaha pañca-bāṇa-cāṇḍāla-kāṇḍa-dalanād asavaḥ prayāntu ||

Innocent woman, inflict upon me merciless bites of your teeth, the binding creeper of your arms, and tight pressing of your breasts! / Passionate girl, experience joy yourself! Let my life-breaths depart through the piercing of the arrows of that outcast of five arrows!

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1.10.11.p1

NOTE: {prayānti}

NOTE: {prayānti}

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1.10.12

śaśi-mukhi tava bhāti bhaṅgura-bhrūr yuva-jana-moha-karāla-kāla-sarpī |
tad-udita-bhaya-bhañjanāya yūnāṃ tvad-adhara-sīdhu-sudhaiva siddha-mantraḥ ||

Moon-faced woman, your curving brow shines like a deadly black serpent terrifying young men with infatuation; / for youths to break the fear arisen from it, the nectar of your lower lip alone is an accomplished spell.

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1.10.13

vyathayati vṛthā maunaṃ tanvi prapañcaya pañcamaṃ taruṇi madhurālāpais tāpaṃ vinodaya dṛṣṭibhiḥ |
sumukhi vimukhī-bhāvaṃ tāvad vimuñca na muñca māṃ svayam atiśaya-snigdho mugdhe priyo'yam upasthitaḥ ||

Silence causes useless pain, slender woman; pour forth the fifth note! Young woman, dispel my torment with sweet conversation and with your glances! / Lovely-faced woman, abandon your aversion now, do not abandon me! Innocent girl, this beloved lover of his own accord has approached, exceedingly affectionate.

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1.10.14

bandhūka-dyuti-bāndhavo'yam adharaḥ snigdho madhūka-cchavir gaṇḍaś caṇḍi cakāsti nīla-nalina-śrī-mocanaṃ locanam |
nāsābhyeti tila-prasūna-padavīṃ kundābha-danti priye prāyas tvan-mukha-sevayā vijayate viśvaṃ sa puṣpāyudhaḥ ||

This lower lip is kin to the radiance of the bandhūka blossom; your cheek is smooth, with the glow of the madhūka, passionate woman; your eye shines, dispelling the splendor of the blue lotus; / your nose approaches the rank of the sesame flower, woman of jasmine-like teeth! Beloved, by waiting upon your face, that god armed with flowers generally conquers the universe.

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1.10.14.p1

NOTE: {senayeti ṭīkā-dhṛta-pāṭhāntaraḥ.}

NOTE: {Variant reading preserved in the commentary: senayā.}

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1.10.15

dṛśau tava madālase vadanam indu-sandīpanaṃ gatir jana-manoramā vijita-rambhaṃ ūru-dvayam |
NOTE: {vidhuta- iti haridāsa-saṃskaraṇe.}
ratis tava kalāvatī rucira-citra-lekhe bhruvāv aho vibudha-yauvataṃ vahasi tanvi pṛthvī-gatā ||

Your eyes are languid with passion, your face kindles the moon, your gait charms men's hearts, your pair of thighs has surpassed the plantain tree, / your amorous pleasure possesses all the arts, your eyebrows are a charming, painted picture—ah, slender woman, though standing on the earth, you bear all the maidens of the gods!

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1.10.16

sa prītiṃ tanutāṃ hariḥ kuvalayāpīḍena sārdhaṃ raṇe rādhā-pīna-payodhara-smaraṇa-kṛt-kumbhena sambhedavān |
NOTE: {prītiṃ vas tanutāṃ iti haridāsa-saṃskaraṇe.}
yatra svidyati mīlati kṣaṇam api kṣipraṃ tad-ālokana-vyāmohena jitaṃ jitaṃ jitam abhūt kaṃsasya kolāhalaḥ ||

May that Hari extend your joy, who in battle collided with Kuvalayāpīḍa whose frontal globes evoked the memory of Rādhā's swollen breasts— / where, when he perspired and closed his eyes even for a moment, Kaṃsa's uproar quickly arose out of delusion at seeing that: "He is conquered, conquered, conquered!"

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1.10.16.p1

NOTE: {yatra svidyati mīlati kṣaṇam atha kṣipte dvipe tat-kṣaṇāt kaṃsasyālam abhūj jitaṃ jitaṃ jitam iti vyāmoha-kolāhalaḥ || iti haridāsa-saṃskaraṇa-pāṭhaḥ.}

NOTE: {Reading in Haridāsa's edition: yatra svidyati mīlati kṣaṇam atha kṣipte dvipe tat-kṣaṇāt kaṃsasyālam abhūj jitaṃ jitaṃ jitam iti vyāmoha-kolāhalaḥ ||}

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1.10.16.p3

ekādaśaḥ sargaḥ
sānanda-dāmodaraḥ
NOTE: {sāmoda- iti kvacit, sānanda-govinda iti haridāsa-saṃskaraṇe.}

Eleventh Sarga / Joyful Dāmodara / NOTE: {In some editions: sāmoda- ("Delighted"); in Haridāsa's edition: sānanda-govinda ("Joyful Govinda").}

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Translations (1)

Commentaries (4)

Linked texts (6)