Mālavikā and Agnimitra 3.3

3.3

gaṇa° . vatse muktasādhvasā sattvasthā bhava .
rājā . ātmagatam . aho sarvāsvavasthāsvanavadyatā rūpasya .
dīrghākṣaṃ śaradindukāntivadanaṃ bāhū natāvaṃsayoḥ
saṃkṣiptaṃ nibiḍonnatastanamuraḥ pāśrve pramṛṣṭe iva .
madhyaḥ pāṇimito nitambi jaghanaṃ madāvarālāṅgulī 10
chando nartayituryathaiva manasaḥ śliṣṭaṃ tathāsyā vapuḥ .. 3 ..

Gaṇadāsa: “Child, cast aside nervousness and be composed.” / King: [To himself.] “Ah, the faultlessness of her beauty in all conditions! / Her face has long eyes and the radiance of the autumn moon; her arms slope from the shoulders; / her chest is compact with dense, high breasts; her flanks are as if polished; / her waist is measurable by the hand; her hips are broad; her feet have curved toes; / her form is fitted precisely to the dancer’s art, just as the master’s mind conceived it. (3)”