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Śatapatha Brāhmaṇa ("of a hundred paths") 4.3.3

Śatapathabrāhmaṇa 4.3.3

Language
Sanskrit

4.3.3.1

ihā ihā ityabhiṣuṇoti | indramevaitadācyāvayati bṛhadbṛhaditīndramevaitadācyāvayati

He presses out (the Soma juice) with 'Ihā̃! Ihā̃!' (hither), whereby he draws Indra nigh; and with 'Brihat! Brihat!' (great), whereby he draws Indra nigh.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.2

sa śukrāmanthinau prathamau gṛhṇāti | śukravaddhyetatsavanamathāgrayaṇaṃ sarveṣu hyeṣa savaneṣu gṛhyate 'tha marutvatīyamathokthyamukthāni hyatrāpi bhavanti

The Sukra and Manthin grahas he draws first, for thereby the Soma feast comes to be supplied with pure Soma (sukra). Thereupon the Âgrayana, for that (cup) is drawn at all (three) feasts. Then the Marutvatîya cup; then the Ukthya, for here also there are songs of praise (Uktha).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.3

taddhaike | ukthyaṃ gṛhītvātha marutvatīyaṃ gṛhṇanti tadu tathā na kuryānmarutvatīyameva gṛhītvāthokthyaṃ gṛhṇīyāt

Now some draw the Marutvatîya after they have drawn the Ukthya; but let him. not do this,--let him rather draw the Ukthya after he has drawn the Marutvatîya.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.4

tānvā etān | pañca grahāngṛhṇātyeṣa vai vajro yanmādhyandinaḥ pavamānastasmātpañcadaśaḥ pañcasāmā bhavati pañcadaśo hi vajraḥ sa etaiḥ pañcabhirgrahaiḥ pañca vā imā aṅgulayo 'ṅgulibhirvai praharati

These, then, are five grahas he draws; for that midday Pavamâna chant is a thunderbolt: hence it is a fifteenfold five-hymned chant, for the thunderbolt is fifteenfold. He is so by means of these five grahas (cups of Soma): for five are these fingers, and with the fingers he hurls (the thunderbolt).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.5

indro vṛtrāya vajram prajahāra | sa vṛtram pāpmānaṃ hatvā vijite 'bhaye 'nāṣṭre dakṣiṇā nināya tasmādapyetarhi yadaivaitena mādhyandinena pavamānena stuvate 'tha vijite 'bhaye 'nāṣṭre dakṣiṇā nīyante tatho evaiṣa etaiḥ pañcabhirgrahaiḥ pāpmane dviṣate bhrātṛvyāya vajram praharati sa vṛtram pāpmānaṃ hatvā vijite 'bhaye nāṣṭre dakṣiṇā nayati tasmādvā etānpañca grahāngṛhṇāti

Indra hurled the thunderbolt at Vritra; and having smitten Vritra, the wicked, and safety and peace being secured, he led forth the dakshinâs (gifts to priests). Wherefore now also, when they (the Udgâtris) chant the midday Pavamâna, and safety and peace are secured, the dakshinâs are led forth. And so, forsooth, does he now by means of those five cups of Soma hurl the thunderbolt at the wicked, hateful enemy, and having smitten Vritra, the wicked, and safety and peace being secured, he leads forth the dakshinâs. This is why he draws those five cups.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.6

tadyanmarutvatīyāngṛhṇāti | etadvā indrasya niṣkevalyaṃ savanaṃ yanmādhyandinaṃ savanaṃ tena vṛtramajighāsattena vyajigīṣata maruto vā ityaśvatthe 'pakramya tasthuḥ kṣatraṃ vā indro viśo maruto viśā vai kṣatriyo balavānbhavati tasmādāśvatthe ṛtupātre syātāṃ kārṣmaryamaye tveva bhavataḥ

Then as to why he draws the Marutvatîya cups. Now this, the midday pressing feast, is Indra's special (nishkevalya) feast: thereby he strove to smite Vritra, thereby he strove to vanquish him. But the Maruts, having on that account withdrawn, were standing on an Asvattha tree (Ficus Religiosa). Now Indra is the nobility, and the Maruts are the people, and through the people the noble becomes strong: therefore the two Ritu cups (they say) may be of asvattha wood; but in reality they are of kârshmarya wood.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.7

tānindra upamantrayāṃ cakre | upa māvartadhvaṃ yuṣmābhirbalena vṛtraṃ hanānīti te hocuḥ kiṃ nastataḥ syāditi tebhya etau marutvatīyau grahāvagṛhṇāt

Indra called on them, saying, 'Do ye join me that with you as my force I may smite Vritra!' They said, 'What will be our (reward) then?' He drew those two Marutvatîya cups for them.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.8

te hocuḥ | apanidhāyainamoja upāvartāmahā iti ta enamapanidhāyaivauja upāvavṛtustadvā indro 'spuṇutāpanidhāya vai mauja upāvṛtanniti

They said, 'Having put aside this one (cup) for our vigour, we will join thee.' Having accordingly put it aside for their vigour, they joined him. But Indra sought to obtain it, thinking, 'They have come to me after putting aside their vigour.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.9

sa hovāca | sahaiva maujasopāvartadhvamiti tebhyo vai nastṛtīyaṃ grahaṃ gṛhāṇeti tebhya etaṃ tṛtīyaṃ grahamagṛhṇādupayāmagṛhīto 'si marutāṃ tvaujasa iti ta enaṃ sahaivaujasopāvartanta tairvyajayata tairvṛtramahankṣatraṃ vā indro viśo maruto viśā vai kṣatriyo balavānbhavati tatkṣatra evaitadbalaṃ dadhāti tasmānmarutvatīyāngṛhṇāti

He said, 'Do ye join me with vigour!'--'Then draw a third cup for us;' they said. He drew a third cup for them, with, 'Thou art taken with a support,--thee for the vigour of the Maruts!' They then joined him with vigour,--and he conquered with them, and smote Vritra with them;--for Indra is the nobility, and the Maruts are the people, and through the people the noble becomes strong. Hence he now bestows that strength on the nobility, and therefore he draws the Marutvatîya cups.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.10

sa vā idrāyaiva marutvate gṛhṇīyāt | nāpi marudbhyaḥ sa yaddhāpi marudbhyo gṛhṇīyātpratyudyāminīṃ ha kṣatrāya viśaṃ kuryādathaitadindramevānu maruta ābhajati tatkṣatrāyaivaitadviśaṃ kṛtānukarāmanuvartmānaṃ karoti tasmādindrāyaiva marutvate gṛhṇīyānnāpi marudbhyaḥ

Let him draw them for Indra Marutvat (accompanied by the Maruts), and not for the Maruts likewise. For were he also to draw cups for the Maruts, he would make the people refractory to the nobility. He thus assigns to the Maruts a share therein after Indra, whereby he makes the people subservient and obedient to the nobility: therefore let him draw the cups for Indra Marutvat, and not for the Maruts likewise.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.11

apakramādu haivaiṣāmetadbibhayāṃ cakāra | yadime mannāpakrāmeyuryannānyaddhriyeranniti tānevaitadanapakramiṇo 'kuruta tasmādindrāyaiva marutvate gṛhṇīyānnāpi marudbhyaḥ

But he was afraid of their desertion,--'Lest they should desert me, lest they should take to some other (party),' so thinking, he by that (share in the libation) made them unwilling to desert him. This is why he should draw the grahas for Indra Marutvat.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.12

ṛtupātrābhyāṃ gṛhṇāti | ṛtavo vai saṃvatsaro yajñaste 'daḥ prātaḥsavane pratyakṣamavakalpyante yadṛtugrahāngṛhṇātyathaitatparo 'kṣam mādhyandine savane 'vakalpayante yadṛtupātrābhyām marutvatīyāngṛhṇāti viśo vai maruto 'nnaṃ vai viśa ṛtavo vā idaṃ sarvamannādyam pacanti tasmādṛtupātrābhyām marutvatīyāngṛhṇāti

He draws them with the two vessels of the seasons, for the year, the sacrifice, means the seasons. There, at the morning Soma feast, they are overtly attended to, in that he draws the grahas for the seasons; and now they are covertly attended to, in that he draws the Marutvatîya grahas with the two vessels of the seasons.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.13

athāto gṛhṇātyeva | indra marutva iha pāhi somaṃ yathā śāryāte apibaḥ sutasya | tava praṇītī tava śūra śarmannāvivāsanti kavayaḥ suyajñāḥ | upayāmagṛhīto 'sīndrāya tvāmarutvata eṣa te yonirindrāya tvā marutvate

He draws (the first) from that (stream of Soma), with (Vâg. S. VII, 35; Rig-veda III, 51, 7), 'O Indra, leader of the Maruts, drink thou the Soma here, as thou drankest of the liquor at (the sacrifice of) the Son of Saryâti: by thy guidance, in thy protection, O Lord, do the wise serve thee with good offerings!--Thou art taken with a support: thee to Indra Marutvat!--This is thy womb: thee to Indra Marutvat!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.14

marutvantaṃ vṛṣabham | vāvṛdhānamakavāriṃ divyaṃ śāsamindram viśvāsāhamavase nūtanāyograṃ sahodāmiha taṃ huvema | upayāmagṛhīto 'sīndrāya tvā marutvata eṣa te yonirindrāya tvā marutvate upayāmagṛhīto 'si marutāṃ tvaujasa iti tṛtīyaṃ grahaṃ gṛhṇāti

[The second he draws with Vâg. S. VII, 36; Rig-veda III, 47, 5], 'The mighty bull, followed by the Maruts, the bountiful, divine ruler Indra,--him, the all-subduing, the terrible bestower of victory, do we now invoke for new favour.--Thou art taken with a support: thee to Indra Marutvat!--This is thy womb: thee to Indra Marutvat!'--with Thou art taken with a support: thee for the strength of the Maruts!' he draws the third cup.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.15

atha mahendraṃ grahaṃ gṛhṇāti | pāpmanā vā etadindraḥ saṃsṛṣṭo 'bhūdyadviśā marudbhiḥ sa yathā vijayasya kāmāya viśā samāne pātre 'śnīyādevaṃ tadyadasmā etam marudbhiḥ samānaṃ grahamagṛhṇan

Thereupon he draws the Mâhendra cup. For Indra was then bound up with evil, in the shape of the people, the Maruts; as one might, for the sake of victory, eat from the same vessel with the people so it was when they drew a cup for him in common with the Maruts.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.16

taṃ devāḥ | sarvasminvijite 'bhaye 'nāṣṭre yatheṣīkām muñjādvivṛhedevaṃ sarvasmātpāpmano vyavṛhanyanmāhendraṃ grahamagṛhṇaṃstatho evaiṣa etadyatheṣīkā vimuñjā syādevaṃ sarvasmātpāpmano nirmucyate yanmāhendraṃ graham gṛhṇāti

When all was conquered and free from danger and injury, the gods plucked him from out of all evil--even as one might pluck out a reed from its sheath--when they drew the cup for the Great Indra. And even as the reed becomes leafless, so is he thereby freed from all evil, when one draws the Mâhendra cup.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.17

yadveva māhendraṃ grahaṃ gṛhṇāti | indro vā eṣa purā vṛtrasya badhādatha vṛtraṃ hatvā yathā mahārājo vijigyāna evam mahendro 'bhavattasmānmāhendraṃ grahaṃ gṛhṇāti mahāntamu caivainametatkhalu karoti vṛtrasya badhāya tasmādveva māhendraṃ grahaṃ gṛhṇāti śu pātreṇa gṛhṇātyeṣa vai śukro ya eṣa tapatyeṣa u eva mahāṃstasmācukrapātreṇa gṛhṇāti

And again, why he draws the Mâhendra cup. Before the slaughter of Vritra, he was indeed Indra; but when he had slain Vritra, he became the Great--Indra, even as one who has conquered all around, becomes a Great King (mahârâga): therefore he draws the Mâhendra cup. And, moreover, he forsooth make's him great for the slaughter of Vritra therefore also he draws the Mâhendra cup. He draws it in the Sukra vessel, for bright (sukra) and great indeed is he (the sun) that burns yonder: therefore he draws it in the Sukra vessel.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.18

athāto gṛhṇātyeva | mahāṃ indro nṛvadā carṣaṇiprā uta dvibarhā aminaḥ sahobhiḥ asmadryagvāvṛdhe vīryāyoruḥ pṛthuḥ sukṛtaḥ kartṛbhirbhūt upayāmagṛhīto 'si mahendrāya tvaiṣa te yonirmahendrāya tveti sādayati mahendrāya hyenaṃ gṛhṇāti

He thus draws it from that (Dronakalasa or Pûtabhrit), with (Vâg. S. VII, 39; Rig-veda VI, 19, 1), 'Great is Indra and hero-like, gladdening the people, of double stature and unimpaired in power. For our sake he waxed strong for heroic deed,--great and broad was he, and well-shapen by the shapers.--Thou art taken with a support: thee to Mahendra!'--with 'This is thy womb: thee to Mahendra!' he deposits it; for it is indeed for the Great Indra that he draws it.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.3.3.19

athopākṛtyaitāṃ vācaṃ vadati | abhiṣotāro 'bhiṣuṇutaulūkhalānudvādayatāgnīdāśiraṃ vinaya saumyasya vittāditi te vai tṛtīyasavanāyaivābhiṣotāro 'bhiṣuṇvanti tṛtīyasavanāyaulūkhalānudvādayanti tṛtīyasavanāyāgnīdāśiraṃ vinayati tṛtīyasavanāya saumyaṃ caruṃ śrapayatyete vai śukravatī rasavatī savane yatprātaḥsavanaṃ ca mādhyandinaṃ ca savanamathaitannirdhītaśukraṃ yattṛtīyasavanaṃ tadevaitasmānmādhyandinātsavanānnirmimīte tatho hāsyaitacukravadrasavattṛtīyasavanam bhavati tasmādetāmatra vācaṃ vadati

And having bespoken (the chant), he says this speech,--'Pressers, press ye! make the mortars resound! Agnîdh, stir the sour milk! be thou mindful of Soma's (pap)!' It is for the evening's press-feast that those pressers press out (the Soma juice), for the evening feast they make the mortars resound, for the evening feast the Agnîdh stirs the sour milk, for the evening feast he boils the pap for Soma. For these two press-feasts, the morning feast and the midday feast, are indeed rich in pure Soma, are rich in juice; but that third press-feast is emptied of the pure Soma. Hence he forms it from out of this midday feast; and thus that third press-feast becomes for him rich in pure Soma, rich in juice: this is why he now speaks that speech.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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