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Śatapatha Brāhmaṇa ("of a hundred paths") 5.4.4

Śatapathabrāhmaṇa 5.4.4

Language
Sanskrit

5.4.4.1

maitrāvaruṇyā payasyayā pracarati | tasyā aniṣṭa eva sviṣṭakṛdbhavatyathāsmā āsandīmāharantyuparisadyaṃ vā eṣa jayati yo jayatyantarikṣasadyaṃ tadenamuparyāsīnamadhastādimāḥ prajā upāsate tasmādasmā āsandīmāharanti saiṣā khādirī vitṛṇā bhavati yeyaṃ vardhravyutā bharatānām

He proceeds with the curds for Mitra-Varuna. Whilst the Svishtakrit of it remains yet unoffered, they bring a throne-seat for him (the king); for truly he who gains a seat in the air, gains a seat above (others): thus these subjects of his sit below him who is seated above,--that is why they bring him a throne-seat. It is of khadira (acacia catechu) wood, and perforated, and bound with thongs as that of the Bhâratas.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.2

tāmagreṇa | maitrāvaruṇasya dhiṣṇyaṃ nidadhāti syonāsi suṣadāsīti śivāmevaitacagmāṃ karoti

He places it (on the tiger's skin), in front of the Maitrâvaruna's hearth, with (Vâg. S. X, 26), 'Thou art pleasant, thou art soft-seated!'--he thereby renders it kindly and auspicious.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.3

athādhīvāsamāstṛṇāti | kṣatrasya yonirasīti tadyaiva kṣatrasya yonistāmevaitatkaroti

He then spreads a mantle over it, with, 'Thou art the womb (seat) of knighthood!'--he thus makes it (the king's throne) the very womb of knighthood.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.4

athainamāsādayati | syonāmāsīda suṣadāmāsīdeti śivāṃ śagmāmāsīdetyevaitadāha kṣatrasya yonimāsīdeti tadyaiva kṣatrasya yonistasyāmevainametaddadhāti

He then makes him sit down on it, with, 'Seat thee on the pleasant one! seat thee on the soft-seated!'--whereby he says, 'Seat thyself on the kindly and auspicious (seat)!'--'Seat thee in the womb of knighthood!'--thus he places him in what is the very womb of knighthood.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.5

athāntarāṃse 'bhimṛśya japati | niṣasāda ghṛtavrata iti ghṛtavrato vai rājā na vā eṣa sarvasmā iva vadanāya na sarvasmā iva karmaṇe yadeva sādhu vadedyatsādhu kuryāttasmai vā eṣa ca śrotriyaścaitau ha vai dvau manuṣyeṣu ghṛtavratau tasmādāha niṣasāda ghṛtavrata iti varuṇaḥ pastyāsveti viśo vai pastyā vikṣvetyevaitadāha sāmrājyāya sukraturiti rājyāyetyevaitadāha yadāha sāmrājyāya sukraturiti

Having touched him on the chest, he then mutters (Vâg. S. X, 27; Rik S. I, 25, 10), 'He hath sat down, the upholder of the sacred law,'--the king indeed is the upholder of the sacred law, for he is not capable of all and every speech, nor of all and every deed; but that he should speak only what is right, and do what is right, of that he, as well as the Srotriya (the Brâhman versed in sacred writ), is capable; for these two are the upholders of the sacred law among men: therefore he says, 'He hath sat down, the upholder of the sacred law;'--'Varuna, in the home-steads,'--the home-steads are the peasants (clans, people): 'among the peasants' he means to say;--'for supreme rule, he the wise!'--'for kingship' he means to say when he says, 'for supreme rule, he the wise.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.6

athāsmai pañcākṣānpāṇāvāvapati abhibhūrasyetāste pañca diśaḥ kalpantāmityeṣa vā ayānabhibhūryatkalireṣa hi sarvānayānabhibhavati tasmādāhābhibhūrasītyetāsta pañca diśaḥ kalpantāmiti pañca vai diśastadasmai sarvā eva diśaḥ kalpayati

He then throws the five dice into his hand, with (Vâg. S. X, 28), 'Dominant thou art: may these five regions of thine prosper!'--now that one, the Kali, is indeed dominant over the (other) dice, for that one dominates over all the dice: therefore he says, 'Dominant thou art: may these five regions of thine prosper!' for there are indeed five regions, and all the regions he thereby causes to prosper for him.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.7

athainam pṛṣṭhatastūṣṇīmeva daṇḍairghnanti | taṃ daṇḍairghnanto daṇḍabadhamatinayanti tasmādrājādaṇḍyo yadenaṃ daṇḍabadhamatinayanti

They (the Adhvaryu and his assistants) then silently strike him with sticks on the back;--by beating him with sticks (danda) they guide him safely over judicial punishment (dandabadha): whence the king is exempt from punishment (adandya), because they guide him safely over judicial punishment.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.8

atha varaṃ vṛṇīte | yaṃ ha vai kaṃ ca suṣuvāṇo varaṃ vṛṇīte so 'smai sarvaḥ samṛdhyate tasmādvaraṃ vṛṇīte

Thereupon he chooses a boon; and, verily, whatsoever boon he who has been anointed chooses, that is completely fulfilled for him: therefore he chooses a boon.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.9

sa brahmannityeva prathamamāmantrayate | brahma prathamamabhivyāharāṇi brahmaprasūtāṃ vācaṃ vadānīti tasmādbrahmannityeva prathamamāmantrayate tvam brahmāsītītaraḥ pratyāha savitāsi satyaprasava iti vīryamevāsminnetaddadhāti savitārameva satyaprasavaṃ karoti

'O Brahman!' thus he addresses (the priest) the first time, thinking, 'I will first utter the (word) Brahman, I will speak speech sped by the Brahman:' this is why he first addresses him with 'O Brahman!' The other answers, 'Thou art Brahman! Thou art Savitri of true impulsion!'--he thereby lays vigour into him, and causes Savitri to be of true impulsion.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.10

brahmannityeva dvitīyamāmantrayate | tvam brahmāsītītaraḥ pratyāha varuṇo 'si satyaujā iti vīryamevāsminnetaddadhāti varuṇameva satyaujasaṃ karoti

'O Brahman!' thus he addresses him the second time. The other answers, 'Thou art Brahman! Thou art Varuna of true power!'--he thereby lays vigour into him, and causes Varuna to be of true power.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.11

brahmannityeva tṛtīyamāmantrayate | tvam brahmāsītītaraḥ pratyāhendro 'si viśaujā iti vīryamevāsminnetaddadhātīndrameva viśaujasaṃ karoti

'O Brahman!' thus he addresses him the third time. The other answers, 'Thou art Brahman! Thou art Indra, mighty through the people!'--he thereby lays vigour into him, and causes Indra to be mighty through the people.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.12

brahmannityeva caturthamāmantrayate | tvam brahmāsītītaraḥ pratyāha rudro 'si suśeva iti tadvīryāṇyevāsminnetatpūrvāṇi dadhātyathainametacamayatyeva tasmādeṣa sarvasyeśāno mṛḍayati yadenaṃ śamayati

'O Brahman!' thus he addresses him the fourth time. The other answers, 'Thou art Brahman! Thou art Rudra, the most kindly!'--he thereby lays into him (the king) those former energies, and he appeases him (Rudra); and he, Rudra, therefore, is gracious to every one, because he (the priest) appeases him.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.13

brahmannityeva pañcamamāmantrayate | tvam brahmāsītītaro 'niruktam pratyāha parimitaṃ vai niruktaṃ tatparimitamevāsminnetatpūrvaṃ vīryaṃ dadhātyathātrāniruktam pratyāhāparimitaṃ vā aniruktaṃ tadaparimitamevāsminnetatsarvaṃ vīryaṃ dadhāti tasmādatrāniruktam pratyāha

'O Brahman!' thus he addresses him the fifth time. The other answers (undefinedly), 'Thou art Brahman!'--undefined means unlimited: thus heretofore he laid limited vigour into him; but now he answers undefinedly; and undefined meaning unlimited, he thereby lays complete, unlimited vigour into him: therefore he answers here undefinedly.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.14

atha sumaṅgalanāmānaṃ hvayati | bahukāra śreyaskara bhūyaskareti ya evaṃnāmā bhavati kalyāṇamevaitanmānuṣyai vāco vadati

He then hails him as one bearing auspicious names,--'Much-worker, better-worker, more-worker!' Whoever bears such names speaks auspiciously even with a human voice.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.15

athāsmai brāhmaṇa sphyam prayacati | adhvaryurvā yo vāsya purohito bhavatīndrasya vajro 'si tena me radhyeti vajro vai sphyaḥ sa etena vajreṇa brāhmaṇo rājānamātmano 'balīyāṃsaṃ kurute yo vai rājā brāhmaṇādabalīyānamitrebhyo vai sa balīyānbhavati tadamitrebhya evainametadbalīyāṃsaṃ karoti

A Brâhmana then hands to him the sacrificial (wooden) sword,--either the Adhvaryu, or he who is his (the king's) domestic chaplain--with, 'Indra's thunderbolt thou art: therewith serve me!'--the sacrificial sword being a thunderbolt, that Brâhmana, by means of that thunderbolt, makes the king to be weaker than himself; for indeed the king who is weaker than a Brâhmana, is stronger than his enemies: thus he thereby makes him stronger than his enemies.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.16

taṃ rājā rājabhrātre prayacati | indrasya vajro 'si tena me radhyeti tena rājā rājabhrātaramātmano 'balīyāṃsaṃ kurute

The king hands it to the king's brother, with, 'Indra's thunderbolt thou art: therewith serve me!' Thereby the king makes his brother to be weaker than himself.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.17

taṃ rājabhrātā sūtāya vā sthapataye vā prayacati | indrasya vajro 'si tena me radhyeti tena rājabhrātā sūtaṃ vā sthapatiṃ vātmano 'balīyāṃsaṃ kurute

The king's brother hands it either to the Sûta (minstrel and chronicler), or to the Governor, with, 'Indra's thunderbolt thou art: therewith serve me!' Thereby the king's brother makes the Sûta, or the Governor, to be weaker than himself.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.18

taṃ sūto vā sthapatirvā grāmaṇye prayacati | indrasya vajro 'si tena me radhyeti tena sūto vā sthapatirvā grāmaṇyamātmano 'balīyāṃsaṃ kurute

The Sûta, or the Governor, hands it to the Grâmanî (village-headman), with, 'Indra's thunderbolt thou art: therewith serve me!' Thereby the Sûta, or the Governor, makes the headman to be weaker than himself.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.19

taṃ grāmaṇīḥ sajātāya prayacati | indrasya vajro 'si tena me radhyeti tena grāmaṇīḥ sajātamātmano 'balīyāṃsaṃ kurute tadyadevaṃ samprayacante netpāpavasyasamasadyathāpūrvamasaditi tasmādevaṃ samprayacante

The Grâmanî hands it to a tribesman, with, 'Indra's thunderbolt thou art: therewith serve me!' Thereby the headman makes the tribesman to be weaker than himself. And as to why they mutually hand it on in this way, they do so lest there should be a confusion of classes, and in order that (society) may be in the proper order.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.20

atha sajātaśca pratiprasthātā ca | etena saphyena pūrvāgnau śukrasya purorucādhidevanaṃ kuruto 'ttā vai śukro 'ttāramevaitatkurutaḥ

Thereupon the tribesman and the Pratiprasthâtri, with that sacrificial sword, prepare the gaming-ground, (close) by the original fire, with the puroruk verse of the Sukra. The Sukra is the eater: he thereby makes (him) the eater.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.21

atha manthinaḥ purorucā vimitaṃ viminutaḥ | ādyo vai manthī tadattāramevaitatkṛtvāthāsmā etadādyaṃ janayatastasmānmanthinaḥ purorucā vimitaṃ viminutaḥ

With the puroruk verse of the Manthin they then put up a shed (vimita). The Manthin cup is he that is to be eaten,--thus having first made (him) the feeder, they now make for him one to be fed upon: that is why they put up a shed with the puroruk verse of the Manthin cup.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.22

athādhvaryuḥ | caturgṛhītamājyaṃ gṛhītvādhidevane hiraṇyaṃ nidhāya juhotyagniḥ pṛthurdharmaṇaspatirjuṣāṇo agniḥ pṛthurdharmaṇaspatirājyasya vetu svāheti

The Adhvaryu then takes clarified butter in four ladlings, places a piece of gold on the gaming-ground, and offers with (Vâg. S. X, 29), 'May ample Agni, the lord of rites, delighted,--may ample Agni, the lord of rites, accept of the butter, hail!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.23

athākṣānnivapati | svāhākṛtāḥ sūryasya raśmibhiryatadhvaṃ sajātānām madhyameṣṭhyāyetyeṣa vā agniḥ pṛthuryadadhidevanaṃ tasyaite 'ṅgārā yadakṣāstamevaitena prīṇāti tasya ha vā eṣānumatā gṛheṣu hanyate yo vā rājasūyena yajate yo vaitadevaṃ vedaiteṣvakṣeṣvāha gāṃ dīvyadhvamiti pūrvāgnivāhau dakṣiṇā

He (the Adhvaryu) throws down the dice, with, 'Hallowed by Svâhâ, strive ye with Sûrya's rays for the middlemost place among brethren!' For that gaming-ground is the same as 'ample Agni,' and those dice are his coals, thus it is him (Agni) he thereby pleases; and assuredly in the house of him who offers the Râgasûya, or who so knows this, the striking of that cow is approved of. On those dice he says, 'Play for the cow!' The two draught oxen of the original (hall-door) fire are the sacrificial fee.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.24

athāhāgnaye sviṣṭakṛte 'nubrūhīti | tadyadantareṇāhutī etatkarma kriyata eṣa vai prajāpatirya eṣa yajñastāyate yasmādimāḥ prajāḥ prajātā etamvevāpyetarhyanu prajāyante tadenam madhyata evaitasya prajāpaterdadhāti madhyataḥ suvati tasmādantareṇāhutī etatkarma kriyata āśrāvyāhāgniṃ sviṣṭakṛtaṃ yajeti vaṣaṭkṛte juhoti

He then says, 'Pronounce the invitatory prayer to Agni Svishtakrit!' And as to why that ceremony is performed between two oblations,--verily, Pragâpati is that sacrifice which is here performed, and from which these creatures have been produced,--and, indeed, they are even now produced after this one;--thus he places him (the Sacrificer) in the very middle of that Pragâpati, and consecrates him in the very middle: that is why that ceremony is performed between two oblations. Having called for the Sraushat, he says, 'Pronounce the offering-formula to Agni Svishtakrit,' and offers as the Vashat is uttered.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.4.25

atheḍāmādadhāti | upahūtāyāmiḍāyāmapa upaspṛśya māhendraṃ grahaṃ gṛhṇāti māhendraṃ grahaṃ gṛhītvā stotramupākaroti taṃ stotrāya pramīvati sa upāvarohati so 'nte stotrasya bhavatyante śastrasya

He then puts the idâ on (the fire). After the invocation of Idâ, he touches water and draws the Mâhendra cup. Having drawn the Mâhendra cup, he sets the chant agoing. He urges him (the Sacrificer) forward to the chant: he gets down (from the throne-seat); he is in attendance at the chant (stotra), in attendance at the recitation (sastra).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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