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Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v1.c6.s4.38

Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v1.c6.s4.38

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v1.c6.s4.38

The technical names of the proportions of the height are significant. The first one is called *śāntika* or peaceful. In this proportion the height is equal to the breadth (ibid. 22); and this is æsthetically a graceful proportion. The second one is called *paushṭika* which might be rendered as strong, eminent, rich, complete, or perfect. In this proportion the height is 1¼ of the breadth (ibid. 22); and this would give the building a good stability. The third one is called *jayada* or joy-giving. In this proportion the height is 1½ of the breadth (ibid. 22); and this gives a pleasant appearance to the building. The fourth one has two names, *sarvakāmika* or good in every way, and *dhanada* or wealth-giving. In this proportion the height is 1¾ of the breadth (ibid. 23); and according to the literal meaning of the term, *sarvakāmika*, this would make the building strong as well as beautiful. The fifth or last one is called *adbhuta* or marvellous. In this proportion the height is twice the breadth (ibid. 22); and this would give a wonderful loftiness and gorgeous look to the building.