Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c16.275
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c16.275
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v2.c16.275
The Dravidian “temples generally consist of a square base ornamented externally by thin tall pilasters, and containing the cell in which the image is kept. In front of this may be added a *maṇṭapam* or hall, or even two such, but they are not characteristic of the style. Over the shrine rises the *śikhara*, of pyramidal form, but always divided into storeys and crowned by a small dome, either circular or polygonal in shape. Another special feature of these temples is the *gopurams* or great gateways, placed in front of them at the entrances to the surrounding courts, and often on all the four sides. In general design they are like the *vimānas* or shrines, but about twice as wide as deep, and very frequently far more important than the temples themselves. Another feature is the cornices of double curve; in other Indian styles the cornices are mostly straight and sloping downwards. As the contemporary northern styles are characterized by the prevalence of vertical lines, the Dravidian is marked by the prevalence of horizontal mouldings and shadows, and the towers and *gopurams* are storeyed. Then the more important temples are surrounded by courts enclosing great corridors or *prākāras*, and pillared halls.”