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Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c16.299

Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c16.299

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English

v2.c16.299

In connection with construction and disposition, according to ranks, of royal palaces, thrones and crowns, royalty is divided into nine classes.¹ They are called, in descending order, *Chakravartin*, *Mahārāja* or *Adhirāja*, *Mahendra* or *Narendra*, *Pārshṇika*, *Paṭṭadhara*, *Maṇḍaleśa*, *Paṭṭabhāj*, *Prāhāraka* and *Astragrāhin*. The number of storeys and halls in a palace, the divisions of the whole compound into different courts, the quarters for royal personages and officials, and other buildings, which are necessary adjuncts of an Indian palace, are described. The royal qualities, courts, army, and rate of revenue in accordance with the class to which a king belongs, are also incidentally mentioned. A consideration of these matters might have helped us in arriving at a time in the history of ancient India, if the historical materials and especially chronological data were available.