Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c29.s5.2
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c29.s5.2
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v4.c29.s5.2
It opens, following the usual custom, with a prayer to the Creator Brahmā and touches upon the origin and development of the science of Architecture, from Śiva, Brahmā, and Vishṇu, through Indra, Bṛihaspati, and Nārada, to the class of seers (*ṛishi*) called Mānasāra, and concludes the introduction with a list of the chapters. Of the preliminary matters, two distinct subjects, namely, the system of measurement and the qualifications of an architect, are dealt with next (Chapter II). *Aṅgula* (finger's breadth), equivalent to three-fourths of an inch, is the unit of architectural measures. The *tāla* (span between the tips of fully stretched thumb and middle finger) is the unit of sculptural measure, which is regulated by the length of the face, inclusive of head, of an image. This latter system of measure is dealt with in several chapters of the sculptural section.