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Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c29.s5.4

Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c29.s5.4

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English

v4.c29.s5.4

They consist of the chief architect (*Sthapati*), the designer or draftsman (*Sūtragrāhin*), the painter (*Vardhaki*), and the carpenter or joiner (*Sūtradhāra*). Different sets of qualifications are prescribed for each class, the gist of which may be expressed in the words of the Roman architect Vitruvius : ‘an architect should be ingenious, and apt in the acquisition of knowledge; he should be a good writer, a skilful draftsman, versed in geometry and optics, expert at figures, acquainted with history, informed on the principles of natural and moral philosophy, somewhat of a musician, not ignorant of the sciences of law and physic, nor of the motions, laws, and relations to each other, of the heavenly bodies.’ He must possess a wide outlook, bold temperament and self-control, and be endowed with all qualifications of a supreme managing director. He must be free from disease or disability and from the seven vices, like gambling, addiction to women, etc.