Pramāṇa · Search · About · API

Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c29.s5.67

Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c29.s5.67

Language
English

v4.c29.s5.67

Chapter LXI opens with a lengthy discussion on the application of the rules for verification (*shaḍvarga*) of various alternative measures suggested in connection with the riding animals. Garuḍa, the conveyance of Vishṇu, who is the primary object of the chapter, is described in very great detail. He is a mythical being. Garuḍa is figured partly as a human creature and partly as a bird. He is provided with feathers, wings painted in five colours. and a beak; but, on the other hand, the description refers to his arms, ears, and hair. He wears various ornaments including the *karaṇḍa* diadem and is gorgeously painted in a great variety of colours. He assumes a terrific appearance. He is figured in an erect or sitting posture and as meditating on Vishṇu with joined palms. His limbs are measured in the nine *tāla* system.